Blockchain.com Raises US$300 Million as Investors Find Other Ways Into Bitcoin

Blockchain.com, a London-based firm that provides a variety of cryptocurrency services to retail and institutional clients, raised $300 million in a deal that highlights venture capital’s growing willingness to jump back into the bitcoin frenzy.

The investment round gave the company a US$5.2 billion valuation and was led by DST Global, Lightspeed Venture Partners and VY Capital. It comes just one month after the company raised $120 million in a funding round that valued it at $3 billion.

Blockchain.com has 31 million verified users across 200 countries and 70 million digital “wallets,” or software used to store bitcoins. The firm offers retail trading and a range of services for professional investors like credit, structured products, trading and custody. Between debt and equity, the company has raised $1.5 billion since its inception in 2011, according to Chief Executive Peter Smith.

It is a significant amount for a crypto company. The latest capital raise is the third-largest in the industry’s short history, according to research firm CB Insights. In 2018, Bitmain Technologies raised $400 million. Earlier this year, BlockFi raised $350 million and in 2020, Bakkt raised $300 million.

Capital raising also stagnated over the past few years as bitcoin’s price fell from its 2017 highs and remained down. After raising $4.5 billion in 2018, deals have declined to $2.7 billion in 2020. Their re-emergence this year, with three of the six largest to date coming in 2021, is spurring hopes that private investors are returning.

They may be followed by public investors. Later this year, Coinbase Global Inc. will launch its highly anticipated initial public offering. The company plans to sell up to 115 million shares on Nasdaq, raising up to $943 million, according to its most recent filing with the Securities and Exchange Commission.

If that IPO is successful, other crypto companies are expected to follow. Whether Blockchain.com will be one of them hasn’t been determined. “The company is carefully considering its public-market options,” Mr. Smith said.

Blockchain’s business has more than doubled since the start of the year, Mr. Smith said, amid a boom for bitcoin and other cryptocurrencies. If the current rate stays constant, he predicted the company’s 2021 profit would hit a record in the “mid-nine digits.”

That is mainly because the price of bitcoin has skyrocketed over the past year. In March 2020, bitcoin fell to around $5,700. On Tuesday, it was trading around $55,000. The gains have been driven by an influx of money from the likes of billionaire investors including Paul Tudor Jones, companies including Massachusetts Mutual Life Insurance Co. and a new wave of retail, or nonprofessional, investors.

The company plans to use the new capital to hire new employees and to support its institutional business. “The institutional side requires more capital,” Mr. Smith said. “When you’re pitching asset managers they want to see a big balance sheet.”

 

Reprinted by permission of The Wall Street Journal, Copyright 2021 Dow Jones & Company. Inc. All Rights Reserved Worldwide. Original date of publication: March 24, 2020

ANZ Bank Tips House Price Rise

Australian housing prices are set to rise 17% in 2021 across capital cities according to ANZ economists.

Sydney and Perth housing prices are predicted to rise by 19% in 2021, with Hobart (18%), Melbourne and Brisbane (16%) and Adelaide (13%), following on.

ANZ reported that property prices rose a rapid 9% in the month of February, accelerating sharply from the 0.5– 0.6% gains over the previous three months.

The latest figures are a stark difference from the forecast 9% national rise for 2021 previously predicted by the bank.

ANZ senior economist Felicity Emmett said she expected the Australian Prudential Regulation Authority (APRA) would then introduce macroprudential measures later in the year to slow house price growth to 6% in 2022.

The new forecast figures comes as the red-hot property market continues to surge amid ultra-low interest rates, the likelihood that rates will stay low and pent-up demand following last year’s lockdown measures.

How Covid-19 Supercharged An Advertising ‘Triopoly’

When the pandemic upended the economy last year, companies took a hard look at their advertising plans.

Oreos maker Mondelez International Inc. shifted money meant for TV commercials during March Madness basketball and the summer Olympics into digital platforms. A hefty chunk went to Alphabet Inc.’s Google, which offered data on what locked-down snack lovers were searching for.

Athleisure company Vuori Inc. more than tripled its spending on Facebook Inc., spotting a chance to juice sales of its sweatpants to people stuck at home. Office-furniture maker Steelcase Inc. built an operation to sell directly to workers and advertised aggressively on Amazon.com Inc.

The Big Three of digital advertising—Google, Facebook and Amazon—already dominated that sector going into 2020. The pandemic pushed them into command of the entire advertising economy. According to a provisional analysis by ad agency GroupM, the three tech titans for the first time collected the majority of all ad spending in the U.S. last year.

Beneath the shift are changes driven by the pandemic: more time spent on computer screens; more e-commerce; a jump in new-business formation, and a steady improvement in tech giants’ ability to demonstrate a return on ad investment.

Success breeds success for what some call the “triopoly.” The increase in shopping and spending on Google, Facebook and Amazon’s platforms is adding to their already voluminous data on users, giving them even more appeal for advertisers that look to target their messages.

“These companies that are data-science-driven get stronger and faster with a tailwind of usage—and Covid was a hurricane,” said ad-industry veteran Tim Armstrong, a former Google executive and AOL CEO who now leads Flowcode, a direct-to-consumer platform company.

Many of the pandemic-driven changes likely are here to stay, say advertisers and ad forecasters. Still, when the pandemic winds down, it’s far from certain the tech giants will continue to increase their market share gains at this rate. With the vaccine rollout and easing of lockdowns, consumers could spend less time and money online and marketers could diversify their spending.

The growth in online advertising last year came as every other kind of ad spending shrank, with double-digit declines in television, newspapers and billboards, according to GroupM. And those online gains flowed heavily to the tech giants rather than to digital media sites and publishers that sell online ads.

The triopoly increased their share of the U.S. digital-ad market from 80% in 2019 to a range approaching 90% in 2020, GroupM estimates. It’s a surge that comes as the three face scrutiny and litigation from various agencies at home and abroad over their dominance.

Google, in announcing plans to tweak its tools that help publishers and advertisers buy and sell ads, is moving away from targeting ads based on individuals’ browsing activity across the web. But that shift might wind up further strengthening Google’s grip on the online-ad industry, some experts and rivals say, because it could boost the value of the data flowing through Google properties such as Search and YouTube.

Amazon this week said it will begin streaming Thursday Night Football by 2023, giving the company a high-profile franchise to take in ad dollars normally spent on TV broadcasters.

The three giants aren’t collecting just the money spent to advertise in the media but also some of the marketing dollars earmarked for coupons, catalogues and in-store promotions.

“They are not media companies anymore, they are marketing mongrels,” said Rishad Tobaccowala, a senior adviser to ad giant Publicis Groupe SA.

New-business applications in the U.S., which slowly climbed from 200,000 a month to 300,000 over a decade, shot up north of 500,000 in July and averaged more than 400,000 a month for the second half of 2020, according to the U.S. Census data. This proved a boon for the biggest tech platforms, which provide the kind of advertising that is often all a startup can afford. Facebook says it had more than 10 million active advertisers in the third quarter, up from 8 million in January.

Meanwhile, many businesses of all sizes pivoted to e-commerce selling—and turned to digital ads to support that effort.

Before the pandemic, a little more than 10% of retail purchases in the U.S.took place online. That jumped to 16% in last year’s second quarter when lockdowns peaked, according to Census data. Though the rate tapered a bit as the year wore on, the trend strongly benefits the tech behemoths.

“The pandemic zapped us two years into the future on the e-commerce side,” said Nicole Perrin, principal analyst at research firm eMarketer.

Mondelez, the Chicago-based maker of Oreo, Ritz and other snacks, in 2020 geared up to promote some of its brands in the marquee television events of the NCAA college basketball tournament and the Summer Olympic Games in Tokyo. When it became clear neither would be held, Mondelez redeployed the money to digital advertising.

It doubled down on Google ads to capitalize on interest in online recipes among those homebound. It used Facebook-owned Instagram to host a Pictionary-like game in which an artist made images out of the cream in the middle of an Oreo cookie. For the first time, Mondelez spent more on digital ads than on TV commercials last year. Google and Facebook were the biggest beneficiaries.

This year, digital advertising is projected to account for more than half the roughly $1.1 billion Mondelez spends on media world-wide. It was only about 30% as recently as 2017. TV’s share of the company’s ad spending continues to decline.

When Mondelez invests in digital advertising, it gets a 25% better return than with TV ads, the company says. It has found that its Google and Facebook ads do especially well, generating 40% higher returns than an average digital ad. The two now account for roughly 60% to 70% of Mondelez’s digital ad spending, up from less than 50% in 2017, the company says.

The tech giants share data that allows Mondelez to understand its customers better, said the snack maker’s chief marketing officer, Martin Renaud. Google data showed Mondelez, for instance, that people tend to search the internet for healthier snacks in the morning and for more-indulgent treats as the day wears on.

When the pandemic struck, Google provided updated data that helped Mondelez craft relevant ads. The company switched from showing college-age consumers an ad about eating lunch in the library to one that read: “Made it through an online class? Treat yourself.”

Mondelez has been working with Google and Target Corp. to figure out how likely someone is to buy Oreos or Ritz crackers from Target stores after being served ads for them on Google’s YouTube.

“I can’t go to CNN or other platforms and be able to get that intelligence,” said Jonathan Halvorson, Mondelez’s global vice president of consumer experience. Big advertisers like Mondelez still spend a lot on TV commercials, and most consider TV the best way to reach a mass audience, rather than any particular segment of consumers.

As it directs more ad money to the tech giants, Mondelez isn’t working with as many digital publishers in the U.S. In 2017, Mondelez worked with about 150; it now works with fewer than 10.

For direct-to-consumer businesses, the pandemic provided an opportunity like no other.

Activewear company Vuori distributes through stores, but its main focus is selling via catalogues and the web. Facebook is a key part of its strategy. Besides enabling Vuori to monitor the performance of its ads, the platform’s tools let Vuori upload lists of its customers and then use Facebook’s algorithm to find look-alike audiences, testing and pivoting in real-time.

When the pandemic arrived, Vuori CEO Joe Kudla noticed something interesting in the data: The prices of Facebook’s ads were dropping at the same time as people were clicking at higher rates on Vuori ads for items like its $80 sweatpants. That combination sent its return on ad spending through the roof.

Vuori stopped traditional marketing such as catalogues and direct mail and shovelled every dollar it could into Facebook. It doubled its April 2020 media spending from what was budgeted and saw sales quadruple. Facebook’s ad prices have since recovered, and Vuori has diversified its ad spending somewhat, but it has continued to increase its use of Facebook ads.

A surfer and yoga practitioner, Mr Kudla seeks to create products for people with the kind of active lifestyle he and his friends in Encinitas, Calif., have. But for finding customers, he says, Facebook beats his instincts.

“We could identify the age, demo and behaviour, but ultimately the algorithm is much more powerful in terms of identifying people who demonstrate certain shopping behaviours,” Mr Kudla said.

Performance-obsessed small advertisers such as Vuori are the reason Facebook revenue never stopped growing last year, despite the pandemic’s hit to the economy and then a summer boycott by some prominent advertisers over the platform’s handling of hate speech and misinformation.

In the three years leading up to the pandemic, Suzy Batiz, founder of the toilet spray company Poo-Pourri, was focused mainly on building out the network of retail stores that carried what it calls a “before-you-go” spritz of essential oils.

Then Covid-19 hit, and one distributor refused to take a multimillion-dollar order already produced. “That was pretty painful,” Ms Batiz said. “But as one of my mentors would say, crisis precedes transformation.” The company shifted focus from driving customers to stores to driving them to its e-commerce site and others’ shopping sites.

That meant cutting all marketing spending that wasn’t digital, such as payment for placement at Bed Bath & Beyond stores or for promotional events. Ms Batiz redirected the money to the web, especially Facebook. Sales on Poo-Pourri’s website surged 300% in the second quarter versus a year earlier and more than doubled for the year.

“This is our future,” Ms Batiz said. “I don’t think we will ever go back.”

Steelcase, which makes desks and other office furniture, spent roughly $1 million on advertising in 2019, primarily for print and digital ads in business publications to target facility managers, architects, developers and company executives. Most of its revenue came in direct sales to corporations or from its dealer network, which has showrooms around the country. Its business of direct selling to consumers was minuscule.

As states’ stay-home orders spurred an exodus from offices last spring, Steelcase’s sales plunged. The Grand Rapids, Mich., company ramped up its small direct-to-consumer business, increasing its staff for that to 25 people from two.

It stopped advertising in business publications and began buying search and social-media ads. Steelcase radically increased its ad budget last year and spent $5 million to $6 million on digital ads targeting people setting up home offices. About half of that went to Amazon search ads.

“Everyone focused on Amazon, whether you needed toilet paper, spices, a Cuisinart mixer or an office chair,” said Allan Smith, the furniture maker’s vice president of global marketing. “We decided to shift there as well, and it paid off.”

For every dollar Steelcase spent on Amazon ads during the holiday season, it made $30 in sales, the company says. Sales for its business aimed at consumers are up 500%.

Steelcase plans to double its Amazon spending this year. Its research indicates the pandemic has changed work-life for good, predicting that about 72% of businesses are likely to take a hybrid approach of working from both home and office. “The hybrid future is here to stay,” Mr Smith said.

 

Reprinted by permission of WSJ. Magazine. Copyright 2021 Dow Jones & Company. Inc. All Rights Reserved Worldwide. Original date of publication: March 19, 2021

Can’t Sleep? Here Are Some Surprising Strategies That Work

How are you sleeping

How are you sleeping?

After one year of a pandemic—and a lot of disturbed slumber—it’s clear that our usual sleep strategies aren’t working. Scientists say many of the things we do to chase sleep are actually hurting us, and recommend a counterintuitive approach instead: Stay in bed for less time, not more.

I’ve been battling insomnia lately. I know I’m not alone. Approximately 40% of the population has had sleep problems during the pandemic, according to a meta-analysis of 44 studies from 13 countries published online in February in the Journal of Clinical Sleep Medicine.

The pandemic has been a significant source of stress and worry. Our daily routines have been disrupted, affecting our circadian rhythms. And social isolation has led to mental-health problems such as depression and anxiety.

“Our brains have to feel like the world is safe and secure to be able to fall asleep,” says Wendy Troxel, a clinical psychologist, certified behavioural sleep medicine specialist and senior behavioral and social scientist at Rand Corp. “Sleep is a vulnerable state.”

We all know we’re supposed to have good sleep hygiene—keep a consistent schedule; use the bed for sleep and sex only; avoid alcohol, caffeine and bright lights before bed and practice other healthy sleep habits. This is important. But the American Academy of Sleep Medicine recently declared it’s not enough to solve chronic insomnia. In an article published online in February in the Journal of Clinical Sleep Medicine, it recommended a series of treatments collectively known as cognitive behavioural therapy for insomnia, or CBT-I.

Unlike run-of-the-mill sleeping problems, insomnia is a clinical disorder. We have insomnia when we have difficulty falling or staying in sleep three or more times a week, and this lasts a month or longer, leading to daytime consequences, such as fatigue, mood changes or difficulty concentrating. Sleep experts believe insomnia is triggered in part by the fear and anxiety we have about not sleeping.

The brains of people with insomnia act differently than the brains of people who are sleeping well, according to Daniel J. Buysse, a professor of psychiatry and sleep medicine specialist at the University of Pittsburgh School of Medicine. Dr Buysse has conducted PET scans of people who sleep normally and people with insomnia. In people with insomnia, parts of the brain involved with self-reflection and monitoring the environment show higher levels of activity during sleep compared with normal sleepers.

Ironically, insomnia is also driven by the things we do to try to solve it, experts say. We start to chase sleep—waking up later, taking naps, going to bed too early. This diminishes our sleep drive, which is our body’s need for sleep. It makes it harder to sleep when we’re supposed to. And it creates a vicious cycle: More time in bed means more opportunity for frustration and failure. Before long, we’ve taught our brain to associate our bed with the negative emotions we feel lying there.

“It’s Pavlovian,” says Philip Cheng, a clinical psychologist and sleep researcher at the Henry Ford Sleep Disorders and Research Center. “If you spend a lot of time in bed worried and frustrated and miserable, in time your brain learns that your bed is a place to do all of these things but sleep.”

CBT-I focuses on breaking this loop by helping us change the thoughts and behaviours that are counterproductive. Research shows it may have lasting effects—not just fixing our sleep problems in the present but helping us form a sort of sleep resilience. A study conducted by Dr Cheng and colleagues and published online in November in the journal Sleep found that people who received CBT-I years ago have been sleeping better and have better mental health during the pandemic than those who did not.

The treatment is typically six to eight sessions with a therapist, but there is an abbreviated version, as well as online programs to try at home. The primary component is “sleep restriction,” also called sleep retraining, which is limiting the amount of time we spend in bed awake. To track this, we calculate our “sleep efficiency number,” which is the percentage of time we’re in bed that we’re asleep. The goal is at least 85%.

To help boost our sleep efficiency, we should avoid going to bed unless we’re sleepy. (I’ve learned the hard way that being bone-weary exhausted is not the same thing as sleepy.) And we shouldn’t stay in bed unless we’re asleep. If we’re having trouble falling asleep, we should go to another room, keep the lights low and do something pleasant but not too absorbing. Read a book. (No screens!) Do a crossword. Listen to some soothing music.

We need to wake up at the same time every day. (Yes, weekends too.) This helps regulate our circadian rhythm and keeps us from sleeping late, which would harm our ability to sleep the following night. To figure out when to go to bed, calculate the amount of time you are actually asleep during the night. Then subtract that from the time you need to wake up. That’s your bedtime, for now. (Don’t give yourself less than 6 hours in bed.) As your sleep gets back on track, start lengthening your time in bed slowly, by 15 minute intervals, to try to increase your sleep duration.

Finally, we need to challenge our thinking about our sleep. When we tell ourselves we “can’t sleep” or “won’t be able to function” the next day, we’re causing ourselves a lot of anxiety, which further interferes with our sleep.

After weeks of having trouble sleeping, I signed up for an online version of CBT-I and started tracking my sleep. I’ve set (and kept!) a consistent wake-up time and have become more careful about sticking to a steady daytime routine. I started going to bed later—I’m a natural night owl but had been trying to force myself to go to bed earlier, thinking I could catch up on sleep. And once I’m in bed, if I can’t sleep, I get back up and read until I feel my eyes starting to shut.

I’ve also tried to stop stressing myself out with thoughts such as: “I’ll never sleep tonight.”

It’s all helped a lot. But I still need practice. So when I got into bed one recent night, I opened my sleep app and clicked on a link that said “Help me get to sleep now.” A recording of a man’s voice told me to find a mark on the ceiling to focus on. “Your goal is to stay awake. Don’t let your eyes close,” he said. He was deploying a technique therapists call paradoxical intention—in an attempt to distract me from focusing on trying to fall asleep. “Stay focused on that spot,” he continued.

Then he told me to notice how my eyelids were getting heavier. He acknowledged that it would probably feel like a relief to close them.

“Resist! Resist! Resist the temptation to close your eyes, even as they feel heavier and heavier!” he said. “Remember your goal here is to remain awake.”

I don’t know what he said next. I was asleep.

 

Tips to Help You Sleep

Practice good sleep hygiene. Aim for seven to nine hours of sleep. Keep consistent wake-up and bedtimes. Keep the bedroom cool, quiet and dark. Use the bed for sleep and sex only. Avoid alcohol, caffeine and exercise before bed. Turn off your screens 30 to 60 minutes before trying to go to sleep.

Don’t chase sleep. Don’t go to bed early. Don’t sleep late. Don’t nap. You’ll diminish your sleep drive, making it even harder to go to sleep the next night.

Don’t go to bed until you’re sleepy. Learn the difference between tiredness and sleepiness. (Sleepiness is when your eyes are drooping.) And limit your time in bed to the amount of time you are asleep, plus half an hour.

Don’t stay in bed unless you’re asleep. Tossing and turning in bed reinforces your brain’s association between wakefulness (and negative emotions) and the bed.

Re-establish daily routines. Have a morning routine. Eat meals at the same time. Exercise at the same time (not too late). Log off work at the end of the day and take a walk.

Stick to your natural circadian rhythm. You’re not going to be able to easily change whether you’re a night owl or an early bird. Recognize when you sleep best and stick with it.

Have a bedtime routine. Just like a child. Establish a daily wind-down time. Then take a bath. Read a book. Relax.

Stop catastrophizing. Quit telling yourself you won’t be able to sleep, or to function the next day. Ask yourself if these thoughts are really true. Replace them with positive thoughts. (“A bad night of sleep is not the end of the world.”) Then try to focus on something else. “People who sleep well don’t think about sleep all the time,” says Wendy Troxel, a certified behavioural sleep medicine specialist.

Keep a worry journal. “Sometimes we worry because our brain is telling us to not forget something,” says Philip Cheng, a sleep researcher at the Henry Ford Sleep Disorders and Research Center. If you write your worries down during the day, “when worry comes at night you can tell yourself you’ve already documented it.”

Practice gratitude. If you find yourself starting to ruminate in bed, think about the things you are grateful for, or savour your favourite moments from the day. This will train your brain to associate the bed with pleasant thoughts. “And it gets us back to feeling safe,” says Allison Harvey, a professor of clinical psychology at the University of California, Berkeley, and director of the Golden Bear Sleep and Mood Research Clinic.

Listen to someone else’s voice. A pleasant but unexciting audiobook is ideal. Turn it on low volume when you go to bed. This will distract you from your thoughts.

Try CBT-I. The website of the Society of Behavioral Sleep Medicine allows you to search for a therapist in your area. Some health programs, such as the Cleveland Clinic and the Department of Veterans Affairs, have programs. And app versions such as Sleepio and Somryst were developed by researchers.

Record February Stamp Duty Gains For NSW

The well-documented boom in property prices has driven stamp duty revenue for the NSW government to unprecedented levels ahead of a property tax reform.

February stamp duty revenue for NSW reached a record $816 million, according to state government figures, smashing the previous high of $626 million 2017.

Auction data over the past few weeks has seen the median house price sold at auction reach record highs, with sales volumes increasing steadily.

February 2021 saw 16,941 property transactions in NSW, with average stamp duty paid just over $48,000.

The 2020/2021 financial year is set to deliver the highest annual stamp duty return for the NSW government since the 2016/2017 financial year, which accrued $9.6 billion.

In the eight months to the end of February, NSW had paid $5.6 billion in stamp duty across commercial and residential property.

 

Property Of The Week: 56 Power Street, Hawthorn, VIC

A grand double-storey Victorian entertainer tucked neatly into one of Melbourne’s prized inner suburbs, ‘Girraween’ proves an enviable study in classic elegance and updated functionality for luxurious contemporary living.

Set well back from the street, enter the approx. 1190 sqm plot via a private and walled front garden and embrace an immediate sense of calm. Off the inviting, arched hallway sits the exquisite formal dining, sumptuous library, secondary living area and kitchen.

The latter delivers Smeg and ASKO appliances as well as HeatnGlo fireplace and contemporary cabinetry across a neutral white palette and continuation of Japanned floorboards.

Of the four well-appointed upstairs bedrooms, the master suite boasts WIR/dresser and luxurious modern ensuite with city views. A further bathroom and powder room can be found upstairs, with additional powder room on the ground floor.

Dating to c1883, classical ceilings abound here, so too marble gas fireplaces across the library, formal living and dining rooms as well as further modern musts such as hydronic heating, air-conditioning, alarm, video intercom and double-glazed windows.

The exemplary elegance of ‘Girraween’ extends across the rear and what is a delightful entertainer’s garden as lifted from the British countryside. The sun-soaked rear holds a huge deck, large grassed area and what is an established kitchen garden alongside a potager shed and remote-control garage with abundant storage.

Situated just 5km from the CBD, the property rests on the edge of the Grace Park Estate and within easy access to the elevated shopping and dining of Glenferrie Road and Kew Junction.

Nearby to trams and Hawthorn train station, so too parklands, the Yarra River and some of Melbourne’s finest schools, including Xavier, MLC, Trinity and more.

‘Girraween’ is a rare opportunity to own a property that affords not only an enviable lifestyle, but an updated slice of history that holds a tremendous sense of self.

EOI closing April 10, the property is with Kay & Burton’s Sam Wilkinson (0400 169 148) and Xavier Karagiannis (0427 367 330); kayburton.com.au/

These Stocks Are More of a Gamble Than An Investment

As with seemingly everything in markets these days, it all ties back to the Reddit Wall Street Bets message board.

No, we’re not talking about GameStop (ticker: GME). Rather, Castor Maritime (CTRM). The dry-bulk commodities transportation firm was trading around 20 cents earlier this year until it was swept up in momentum as users of the message board recommended the company, sending shares as high as $1.95.

The stock was identified as a potential gamble using methodology from recently published research paper—from Alok Kumar of the University of Miami, Houng Nguyen of the University of Danang, and Talis Putnins at the University of Technology Sydney and Stockholm School of Economics. The group proposed looking at the average volume over 30 days compared to market cap as a way of determining what they called lottery stocks. “We assume that gambling in stock markets involves disproportionate amount of trading in lottery-like stocks,” they said.

Castor topped the research group’s list of New York Stock Exchange- and Nasdaq-listed companies that were potential “lottery stocks.” Barron’s added to a filter to the list to look at companies with market caps of at least $500 million and published the list in January.

We ran our version of that screen again this month. Castor Maritime topped our list this time.

Sundial Growers (SNDL), the cannabis stock, and Genius Brands International (GNUS), the children’s media company, appear high on the list too. The top NYSE-listed stock was AMC Entertainment (AMC), the movie chain operator that, with GameStop, became a poster-child for the so-called meme stock revolution.

And what about GameStop itself? It’s not in the top 20, but the methodology does put the video-games retailer high: Out of more than 3,000 stocks, GameStop ranks 128th as a lottery stock.

The stock scoring lowest in the lottery stock rankings was Google owner Alphabet (GOOGL).

Ranking Company
1. Castor Maritime
2. Sundial Growers
3. Genius Brands International
4. TherapeuticsMD
5. Ideanomics
6. AMC Entertainment
7. Ocugen
8. Ebang International Holdings
9. ElectraMeccanica Vehicles
10. Workhorse Group
11. Jiayin Group
12. Invesco Mortgage Capital
13. ChromaDex
14. Transocean
15. Gevo
16. Bionano Genomics
17. Clovis Oncology
18. Nano Dimension
19. W&T Offshore
20. Tellurian
Source: FactSet

 

Reprinted by permission of Barron’s. Copyright 2021 Dow Jones & Company. Inc. All Rights Reserved Worldwide. Original date of publication: March 22, 2021.

Jack Dorsey’s First Tweet Sells As NFT For Approx. $3.7 Million

The first tweet that Twitter Inc. Chief Executive Jack Dorsey posted to the microblogging site in 2006 has sold as a nonfungible token for about $2.9 million (A$3.7 million), the latest digital collectible to haul in more than US$1 million amid a flurry of interest from buyers.

The winning bidder, Malaysia-based blockchain company Bridge Oracle CEO Sina Estavi, technically owns a digital certificate of the tweet—“just setting up my twttr,” according to Valuables, an NFT marketplace for buying and selling tweets that ran the auction. NFTs work on the blockchain, similar to cryptocurrencies like bitcoin, and serve as digital certificates of authenticity for everything from art to memes.

Mr Dorsey’s tweet itself will continue to live on Twitter, Valuables said, adding that the digital certificate is signed using cryptography and includes the tweet’s metadata such as when the tweet was posted.

“This is not just a tweet!” Mr Estavi tweeted Monday. “I think years later people will realise the true value of this tweet, like the Mona Lisa painting.”

Mr Estavi couldn’t be immediately reached for comment on Monday. He was also the highest bidder to secure an NFT of a tweet from Tesla Inc. CEO Elon Musk, but Mr Musk ultimately changed his mind.

Cryptocurrency investor Justin Sun, who paid a record US$4.6 million in a 2019 charity auction to have lunch with Warren Buffett, was the second-highest bidder for the NFT of Mr Dorsey’s first tweet.

A wide array of content creators have set their sights on the NFT market after Mike Winkelmann, a self-taught artist who goes by the professional name of Beeple, sold a digital image online at Christie’s for US$69.3 million, making him the third-most-expensive living artist after Jeff Koons and David Hockney.

The overall NFT market ballooned last year to at least US$338 million, from about US$41 million in 2018, according to NFT sales-tracking website NonFungible.com and L’Atelier, a research firm affiliated with BNP Paribas SA.

Mr Dorsey, a bitcoin advocate who also serves as CEO of Square Inc., launched the auction late last year, though bid values crossed the seven-figure mark over the past few weeks. The Twitter co-founder posted tweets showing auction proceeds being converted into bitcoin and sent to the nonprofit group GiveDirectly’s Africa Response project to offer emergency Covid-19 cash relief for families in Kenya, Rwanda, Liberia and Malawi.

Reprinted by permission of The Wall Street Journal, Copyright 2021 Dow Jones & Company. Inc. All Rights Reserved Worldwide. Original date of publication: March 22, 2021.

End Of Rental Moratorium Necessary For WA

The Real Estate Institute of Western Australia (REIWA) has said in a press release the end of the rental moratorium is a necessary step for the WA rental market.

With the emergency period for the Residential Tenancies (COVID-19 Response) Act 2020 ending on Sunday 28 March 2021, the REIWA believes it is a necessary step to help mend Western Australia’s rental shortage.

REIWA president Damian Collins said the September 2020 decision to extend the moratorium on evictions had a debilitating effect on the state’s rental market.

“Since the announcement in September, the Perth vacancy rate has dropped below one per cent – the lowest level we’ve seen in 40 years. There is very little available rental stock on the market and those people who are actively looking for somewhere to rent are finding it very difficult to secure a place to live,” REIWA President Damian Collins said.

“Thankfully, once the moratorium ends investors will have more incentive to buy property in WA. This should increase the number of properties available to rent and help create a more balanced market.”

Data from reiwa.com shows the Perth median weekly rent price has increased from $360 in February 2020 to $400 in February 2021.

Sunday marks the first time property investors will be able to increase rent prices in 12 months.

“Whilst it is inevitable prices will rise, WA tenants are still paying a lot less overall than their counterparts around the country. In fact, earlier this month the Real Estate Institute of Australia released their December 2020 quarter Housing Affordability Report which revealed WA remained the most affordable place to rent in the country,” Mr Collins added.

5 Luxury Coastal Developments To Know

A new wave of premium residential properties along Australia’s east coast are set to hit the market this season, catering to wealthy and discerning investors as well as owner-occupiers seeking the ultimate in lifestyle and comfort.

We’ve highlighted five of the best projects coming to market in Melbourne, Sydney, Brisbane and on the Sunshine and Gold Coast in South East Queensland.

Whether they occupy a coastal, bayside or urban location, each project has exceptional city and water views as standard and are located close to recreational amenities, dining, shopping and transport facilities.

Architecturally striking, they represent the best of Australian contemporary architecture,  thoughtfully designed and responsive to a specific setting, climate and topography.

Lavishly appointed with increasingly bespoke finishes and fixtures, the inclusion of exclusive amenities are akin to those offered in world-class private clubs and among the best creature comforts money can buy.

All projects featured are new to the market or were recently released and all have stock currently available for purchase.

Nature by Cube, 49 The Esplanade, Cotton Tree, Sunshine Coast, Queensland

Rendering: Cube Developments

Melbourne and Sydney seachangers have been descending on the Sunshine Coast in droves in the past 12 months. Attracted to the sub-tropical lifestyle of the region, 90 kilometres north of Queensland’s capital city Brisbane, developers such as Cube Developments are meeting the increase in demand for more luxurious residential property.

Nature by Cube is an eight-story Cottee Parker-designed project that will offer 13 state-of-the-art residences, all with water views and premium finishes.

Across 12 three-bedroom apartments and one four-bedroom penthouse, each residence has generous open-plan living, dining and kitchen spaces, a butler’s pantry, timber chevron flooring, limestone benchtops and top-of-the-range Gaggenau appliances.

Each bedroom has an en-suite bathroom while the primary bedrooms will have water and garden views while retaining privacy. The art-like sculptural facade will feature organic curves, glass-reinforced concrete, greenery inserts and draping landscaping as inspired by the shapes and tones of the coastal environment.

 House-like in size and scale, apartments range from 250 square meters to 510 square meters for the penthouse, with little wasted space and premium fixtures and finishes throughout.

Nature by Cube apartments are available for sale, via an expression of interest campaign. Construction is scheduled to begin in the second half of 2021.

Number of Units: 13
Price Range: $2.638 million–$7 million
Developer/Architect: Cube Developments/Cottee Parker
Apartment Sizes: Three-bedroom apartments and a four-bedroom penthouse
Amenities: Resort-style amenities include a 25-meter lap pool, gym, steam room and spa, private dining room and wine room. Fine-dining restaurants, wine bars, chilled cafes and the beach are all within walking distance; while there’s hundreds of shops, entertainment options and transport links easily accessible within the new Maroochydore central business district. There are EV charging stations installed in all parking bays.

www.naturebycube.com.au

Rendering: Cube Developments

Rendering: Cube Developments

Rendering: Cube Developments

Rendering: Cube Developments

Rendering: Cube Developments

The Ambrose, 19-23 McDougall St., Milton, Brisbane, Queensland

Rendering: Kokoda Property

Located in a tightly held suburban area of Brisbane’s inner west, construction has begun on The Ambrose, a $150 million landmark residential tower. The 19-story tower, overlooking the Brisbane River, is 1.5 kilometres from the central business district, with arterial roads and cycle and ferry networks on its doorstep.

Queensland architectural practice Cottee Parker has designed a building that is sensitive to the surrounding landscape and responds to Brisbane’s sub-tropical climate. Maximizing views to the east while maintaining privacy, The Ambrose features 181 one-, two- and three-bedroom apartments and four-bedroom penthouses.

The sculptural facade’s organic fins and ascending greenery is inspired by the Brisbane River and city views, reflecting the city’s climate and outdoor lifestyle.

“The Ambrose is a reflection of the way we know people in Brisbane live, work and play, and conveys a strong architectural language rich in both form and function,” Cottee Parker director Sandra Browne said.

The apartments, which range in size from 62 square metres to 185 square meters for the penthouses, feature oak flooring, natural stone bench tops, marble bathrooms and Miele appliances.

The Ambrose is 300 meters from Milton Rail Station, a two-minutes walk to the Milton Ferry, while being only two kilometres from Brisbane’s arts and cultural precinct, including the Gallery of Modern Art, Queensland Performing Arts Centre, Brisbane Library and Brisbane Convention Center.

 Construction has begun and is scheduled for completion in 2022 with 50% of the apartments still available for purchase.

Number of Units: 181
Price Range: From $590,000 to $2.095 million
Developers/Architect: Kokoda Property/Cottee Parker
Apartment Sizes: One-, two- and three-bedroom apartments and penthouses
Amenities: Residents will have exclusive access to substantial communal amenities including landscaped rooftop gardens, an 11-meter swimming pool, spa, sun lounges and barbecue area. Other amenities include a cinema room, lobby lounge, viewing deck, lawn covered terrace and gym.

 theambrose.com.au

Rendering: Kokoda Property

Rendering: Kokoda Property

Rendering: Kokoda Property

Rendering: Kokoda Property

Rendering: Kokoda Property

Awaken, 275 Boundary St., Coolangatta, Queensland

Rendering: S&S Project Developments

Occupying an elevated headland above the Gold Coast’s iconic Duranbah and Snapper Rocks, Awaken has been designed to emulate this exclusive location while capturing 360 degrees of panoramic coastal views.

Awaken will occupy a site just inside the Queensland and New South Wales borders, overlooking two surf beaches, rock pools, a scenic lookout and walking paths. Unsurprisingly, the architectural brief for the ultra-premium project had to meet, and if possible, exceed the site’s extraordinary location. The result is a collection of only nine apartments—average price A$4.2 million each—that will likely appeal to affluent second-home owners and permanent residents.

“Awaken will be a game changer for the Gold Coast and South East Queensland,” KM Sales & Marketing director Jayde Pezet said.

 World-renowned urban artist Lindy Lee has been engaged to create an 11-story art piece on the north-facing side of the building that will come to represent the iconoclastic status of the structure.

Buyers will have the opportunity to individually design their apartments to ensure each of the nine residences are wholly unique and bespoke.

 Lavish and opulent fixtures and fittings will be offered to buyers who will have the choice of incorporating natural stones, steel and glass, custom cabinetry and leather accents alongside a full suite of home automation and security features.

 Each apartment will have a private and extensive wraparound balcony, offering views south to Byron Bay and north to Stradbroke Island, while capturing afternoon seabreezes in every room.

Residents will be spoiled for choice with multiple white sand beaches in walking distance as well as the outdoor and leisure activities of the Tweed River.

Registrations of interest are being taken, with the project scheduled to launch to the market in early April.

Number of Units: 9
Price Range: Starting at $3.95 million
Developers/Architect: S&S Project Developments/Cottee Parker
Apartment Sizes: Three- and four-bedroom full floor apartments and one double-story penthouse
Amenities: Residents will have access to a swimming pool, luxurious steam room, outdoor landscaped barbecue area, additional secure storage and beach shower facilities. Level one will contain a destination fine dining restaurant and a café will occupy the ground level offering health food and coffee.

Website: awakenrainbowbay.com.au

The Landmark, 500 Pacific Highway, St Leonards, Sydney, New South Wales

Rendering: A+ Design Group

 A vertical village of more than 400 apartments, The Landmark’s visionary architecture, enviable central location and vast amenities make it one of the most anticipated projects in the market.

Uninterrupted vistas of Sydney’s iconic Harbour Bridge and city skyline are part of the 52-story building’s appeal, with every floor and balcony unique in shape, size and outlook.

Still to be released are six of the seven penthouses that will occupy floors 30 and above, promising some of Sydney’s most dramatic views.

Inside will be multiple living areas, floor-to-ceiling windows, three or four bedrooms, a home office, cinema room, internal lift and private garage. Master craftsmanship is on display in the custom Italian-designed kitchens which feature grey Pietra marble countertops, custom cabinetry and Gaggenau and Sub-Zero appliances.

A Sky Lounge will be an exclusive space for residents in three-bedroom apartments and penthouses situated on Level 30 and above, offering stunning, panoramic views and an additional space to entertain friends and guests.All residents can make use of an acoustically engineered music rehearsal room, an indoor playground for children and a library for reading and studying.

The Landmark’s final release of penthouses and three-bedroom skyhomes is expected this year. The building is under construction and will be completed in October 2021.

Number of Units: 429
Price Range: Studio apartments from $600,000-$750,000. One-bedrooms from $720-000- $980,000. Two-bedrooms from $1.25 million-$1.88 million. Three-bedrooms from $2.2 million-$4 million. Penthouses from $11 million-$18 million.
Developer/Architects: New Hope/A+ Design Group in association with Warren & Mahoney
Amenities: Residents will be granted exclusive access to Club 500, which includes the services of a full-time concierge, an indoor lap pool, a spa, a sauna, a private gym, a yoga room and a cinema. A virtual golf room combines luxurious lounges and modern technology, while a communal lounge with bar, dining room and fireplace is available for private events.

grandskypenthouse.com.au

Rendering: A+ Design Group

Rendering: A+ Design Group

Rendering: A+ Design Group

Rendering: A+ Design Group

Rendering: A+ Design Group

Pavilion Green Sky Homes, 216 Bay Rd., Sandringham, Melbourne, Victoria

Rendering: Auyin

The double-story sky homes atop the recently completed Pavilion Green are a sight to be seen due to size, outlook and quality of finishes.

It’s a new benchmark for this popular seaside suburb less than 20 kilometers from Melbourne’s central business district, where residents relish the active outdoor lifestyle of swimming, sailing, cycling and walking trails.

Pavilion Green’s contemporary design is a direct reflection of its premium coastal location. Waves of curved linear bands flow across the façade thanks to generous cantilevered balconies that are private and protected from the elements. The Sky Homes are Pavilion Green’s piece de resistance; huge homes that range from 235 square meters to 470 square meters, including outdoor terraces.

Each two-story residence comes with its own private elevator and central feature staircase and a complete home-integration system that includes Sonos speakers, electronic blinds and a smart TV in the main living area. Panoramic views of the city skyline and Port Phillip Bay, high ceilings, gas fireplaces and luxe kitchens featuring a Signorino marble island countertops, Miele appliances, double ovens and a butler’s pantry come as standard.

Sandringham is one of Melbourne’s most sought-after seaside villages, with easy access to upscale shopping in Brighton and Westfield Southland, residents have dining, retail, recreational facilities and transport at their doorstop.

Construction of Pavilion Green has been completed with the four sky homes to officially be released to the market in March.

Number of Units: 4
Price Range: $2.2 million to $2.99 million
Developer/Architect: Auyin/CBG
Apartment Sizes: Three-bedroom sky homes
Amenities: At ground level are boutique retail spaces, a private lobby and exclusive residents’ retreat. A large entertainment terrace flows out to the landscaped gardens of Pavilion Green, while central elevators and stairs provide accessibility to allocated basement parking, private lockable storage and bicycle bays.

Website: skyhomessandringham.com.au

Rendering: Auyin

Rendering: Auyin

Rendering: Auyin

Rendering: Auyin

Reprinted by permission of Mansion Global. Copyright 2021 Dow Jones & Company. Inc. All Rights Reserved Worldwide. Original date of publication: March 18