Amazon’s second-generation earbuds have noise-cancelling and hands-free Alexa.
3 min
I’ve worn earbuds more over this past year than any other. Between video calls and workouts at home, it felt like I was constantly putting some sort of implement in my ear.
Wireless earbuds have become essential—as has noise-cancelling technology to drown out the sounds of housemates. If you’re looking for a new pair, and are leery of dropping $399 on Apple’s shiny Pro ’pods, consider Amazon’s recent update to its Bluetooth buds.
The Echo Buds come in white or black. PHOTO: NICOLE NGUYEN/THE WALL STREET JOURNALThe second-generation Echo Buds have active noise cancellation and built-in, hands-free Alexa. They’re smaller and sound better than the previous model—and they’re cheaper too.
The price—$120, or $140 with a wireless charging case—is why these headphones are worth your attention. Noise-cancelling earbuds from companies like Apple, Samsung and Bose all cost over $200. For significantly less, Amazon’s set offers similar audio quality and sound-blocking cancellation, with some trade-offs.
Active noise-cancelling doesn’t only seal out sound; it uses microphones to listen to ambient noise, then generates opposing sound waves to eradicate it. (If it helps, think of lining peaks with troughs, and troughs with peaks.) Good noise cancelling is difficult to do, especially in small, marble-size earbuds.
The AirPods Pro are my gold standard. They can’t isolate sound like bulkier over-ear headsets, but they successfully reduce daily din to levels that allow me to concentrate. During indoor and outdoor testing, I was surprised how well the Echo Buds 2 active noise cancellation held up in comparison—and for $130 less.
Outside, the grumble of passing trucks and the howling wind were imperceptible. Inside, I could hear my husband on his video call, until I put on music. Then, his voice faded into the background.
Noise-cancelling has to start with a secure seal. A range of ear-tip sizes (S, M, L, and XL) plus three pairs of optional ear-support wings are included in the box. You can test the fit in the Alexa app. A chime plays and rates the quality of your seal. With the default medium tips installed, my fit was “good.” Adding wings bumped my grade to “great.” My ears did feel sore after wearing the buds all day. Downsizing to small tips eliminated the pain, but broke the seal.
To ensure a good fit, the earbuds come with different-size round ear tips and optional ear-support wings. PHOTO: NICOLE NGUYEN/THE WALL STREET JOURNALA snug fit also improves the audio experience. Modern pop such as Griff’s “Black Hole” and classics like The Clash’s “Should I Stay or Should I Go” sound great in the Echo Buds. The bass is particularly punchy, and the treble is clean. Competitors I’ve tested do produce more balanced audio, but at a much higher price.
The Echo Buds’ feature set is generally on par with competitors’. I got an industry-standard 5 hours and 15 minutes of battery life, with noise cancelling on and music playing. When you’re on the phone, an adjustable “sidetone” allows you to hear your own voice. There are programmable tap controls: a single tap can pause media, while a double-tap answers a call.
In other respects, the earbuds don’t meet the mark in the same way pricier buds do. For one, the important “pass through” mode—which allows you to hear outside sounds clearly while wearing the headphones—produces a noticeable, unnatural hissing.
You can only use Alexa hands-free while the buds are connected to a phone with the Alexa app. And while the assistant was fine at recognizing my voice, and telling me the weather outside or the date, Alexa had some trouble with other requests: “Set a timer for one minute” consistently yielded a “Sorry, I’m having trouble” response. An Amazon spokesman said the Echo Buds team wasn’t aware of the bug or how to fix it.
I often recommend that people get earbuds made by the same maker of their devices. They’re often optimised for connection reliability and pairing. But at this price, the new Echo Buds are a tempting proposition.
And if past Amazon deals are any indication, they’ll probably be even cheaper when Prime Day rolls around.
Reprinted by permission of The Wall Street Journal, Copyright 2021 Dow Jones & Company. Inc. All Rights Reserved Worldwide. Original date of publication: May 23, 2021.
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Rachel Zegler and Gal Gadot star in an awkward live-action attempt to modernize the 1937 animated classic.
Rachel Zegler and Gal Gadot star in an awkward live-action attempt to modernize the 1937 animated classic.
3 minDisney’s first “Snow White” isn’t perfect—the prince is badly underwritten and doesn’t even get a name—but it is, by turns, enchanting, scary and moving. Version 2.0, starring Rachel Zegler in the title role and Gal Gadot as her nefarious stepmother, has been in the works since 2016 and already feels like it’s from a bygone era. After fans seemed grumpy about the rumored storyline and the casting of Ms. Zegler, Disney became bashful about releasing it last March and ordered reshoots to make everyone happy. Unfortunately, the story is so dopey it made me sleepy.
Directed by Marc Webb (“The Amazing Spider-Man” with Andrew Garfield ), the remake is neither a clever reimagining (like “The Jungle Book” and “Pete’s Dragon,” both from 2016) nor a faithful retelling (like 2017’s “Beauty and the Beast”), but rather an ungainly attempt at modernization. The songs “I’m Wishing” and “Someday My Prince Will Come” have been cut; the big what-she-wants number near the outset is called “Waiting on a Wish.” Instead of longing for true love (=fairy tale), Snow White hopes to sharpen her leadership skills (=M.B.A. program). And she keeps talking about a more equitable distribution of wealth in the kingdom she is destined to rule after her mother, the queen, dies and her father, having made a questionable choice for his second spouse, goes missing.
Ms. Gadot, giving it her all, is serviceable as the wicked stepmother. But she doesn’t bring a lot of wit to the role, and the script, by Erin Cressida Wilson , does very little to help. Her hello-I’m-evil number, “All Is Fair,” is meant to be the film’s comic showstopper but it’s barely a showslower, a wan imitation of “Gaston” from “Beauty and the Beast” or “Poor Unfortunate Souls” from “The Little Mermaid.” The original songs, from the songwriting team of Benj Pasek and Justin Paul (“La La Land”), also stack up poorly against the three tunes carried over from the original “Snow White,” each of which has been changed from a sweet bonbon into high-energy, low-impact cruise-ship entertainment. So unimaginative is the staging of the numbers that it suggests such straight-to-Disney+ features as 2019’s “Lady and the Tramp.”
After escaping a plot to kill her, Snow White becomes friends with a digital panoply of woodland animals and with the Seven Dwarfs, who instead of being played by actors are also digital creations. The warmth of the original animation is totally absent here; the tiny miners look like slightly creepy garden gnomes, except for Dopey, who looks like Alfred E. Neuman . As for the prince, there isn’t one; the love interest, Jonathan (a forgettable Andrew Burnap ), is a direct lift of the rogue-thief Flynn Rider , from 2010’s “Tangled,” plus some Robin Hood stylings. His sour, sarcastic tribute to the heroine, “Princess Problems,” is the worst Snow White number since the one with Rob Lowe at the 1989 Oscars.
Ms. Zegler isn’t the chief problem with the movie, but as in her debut role, Maria in Steven Spielberg’s remake of “West Side Story,” she has a tendency to seem bland and blank, leaving the emotional depths of her character unexplored even as she nearly dies twice. Gloss prevails over heart in nearly every scene, and plot beats feel contrived. She and Jonathan seem to have no interest in one another until, suddenly, they do; and when he and his band of thieves escape from a dungeon, they do so simply by yanking their iron chains out of the walls. Everything comes too easily and nothing generates much feeling. When interrogated by the evil queen, who wants to know what happened to her stepdaughter, Jonathan replies, “Snow who?” Which would be an understandable reaction to the movie. “Snow White” is the fairest of them all, in the sense that fair can mean mediocre.
