Outdoor Lighting Ideas To Turn Your Yard Into A Luxury Resort
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Outdoor Lighting Ideas To Turn Your Yard Into A Luxury Resort

The best way to make your outdoor space elegantly enjoyable after dark.

By Kathryn O'Shea-Evans
Mon, Apr 26, 2021 2:46pmGrey Clock 6 min

Last summer, those of us charmed enough to have a backyard to call our own tended our gardens and zhushed our patios with new furniture, maybe even springing for an outdoor rug. When it came to exterior lighting, however, most people aimed no higher than a swag of Edison-bulb string lights and a feebly flickering hurricane candle.

“Outdoor spaces sometimes get overlooked after the sun goes down,” said Memphis interior designer Sean Anderson, alluding to such lame attempts at illumination. This spring, however, as we prepare to host en plein air again, why not tackle outdoor lighting—especially if you’ve upgraded everything else? Beyond a wish to enjoy their private plot at night, homeowners light landscapes “so that when you’re inside the house you can see the garden and not just a black hole,” said Ive Haugeland, founding principal of Shades of Green, a landscape architecture firm in Sausalito, Calif.

The best way to banish murky shadows is to borrow the sort of layered lighting scheme found in professionally designed living rooms. In simplest terms, you want three tiers. Start with the highest level, via lofty lanterns or up-lighting that draws eyes skyward or even chandeliers (yes, weatherproof versions exist; see “Worth Wiring”). Next fill in the midrange with sconces, illuminated plants or sculptures and tabletop portable lanterns. And don’t forget low-level illumination—that is path, understep and underseat lighting.

The cumulative effect should be subtle, not stark, “that feeling of fireflies on a summer night, that sense of discovery,” as San Francisco designer Ken Fulk put it. “The default has previously been an overly lit space.”

At a residence in San Francisco, Ms. Haugeland recently hung two outdoor-rated glass chandeliers beneath a minimalist pergola. To provide eye-level glow, she uplit the knotty trunks of century-old olive trees, then set low LED lighting into step risers for safer sauntering after dark. The chandeliers are “a little over the top, so they’re very fun and playful and what you don’t expect to see outside,” said Ms. Haugeland.

Solar-powered outdoor fixtures are still too dim to rely on, said the landscape architects we polled. A reasonably sized fixture can’t house enough photovoltaic cells to produce anything but a sickly glow. Meanwhile, the latest low-voltage LEDs not only last a long time, they can be easily and cheaply wired. “[In the] 1980s and into the ’90s, landscape lighting was run using high-voltage electricity,” said Washington, D.C., landscape architect Joseph Richardson, who recently uplit the river birch trees surrounding his own Arlington, Va., home. “It meant fixtures were very large and very bulky, and the cost was extreme. You had to run buried conduit plastic pipes through the yard, and if someone were to hit that with a shovel they could be electrocuted.”

Today’s LED fixtures suck as little as 3 watts as opposed to the 35 watts that incandescents fed on, Mr. Richardson said. That means “you can use low-voltage wiring—a small wire that lays on top of soil under mulch,” said Megumi Aihara, founding partner and principal of San Francisco’s Spiegel Aihara Workshop. “You can install [that] after a garden is built, and it would not hurt you if you touched those wires.” (Note: The designers we interviewed recommended hiring a professional electrician or landscape firm to at least install your main transformer, which converts your home’s 120-volt juice to 12-volt power.)

To light her North Carolina yard (pictured on D1) designer Gray Walker turned to low-voltage specialists Outdoor Lighting Perspectives (OLP) of Charlotte. A brick walkway behind her house leads to a small eight-sided gazebo. “You’ve got your path lights to illuminate the ground and then I like to lift the eye up,” said Ms. Walker. Uplit oak trees and Japanese magnolias create a “wonderland” of branches. The path passes a trio of gurgling columnar fountains that are highlighted to provide midlevel illumination, while other lights shine on shrubs, casting shadows on the brick exterior of her Georgian-style home. “This adds a bit of texture and dimension to the wall,” said Mari Zaragoza, production coordinator at OLP. “It was important to not keep everything in the same level, to create as much depth and texture as possible.”

Ms. Walker’s gazebo quietly commands attention at night. Two upturned accent lights shine thin lines of light through its slatted roof for a “glowing effect,” said Ms. Zaragoza. “We really thought this created a natural focal point without it being too overdone.”

Low-voltage lighting helped Ms. Aihara execute a multilevel scheme in a Los Angeles yard (pictured, above). Perforated metal tubes diffuse light throughout the canopy of deciduous trees, and cast modest pools on the deck and the greenery that surrounds it. Another one of Ms. Aihara’s tricks: Dek Dots from Dekor lighting. “They’re small, half-inch LED dots,” she said. “During the day, they disappear, and at night they twinkle on the ground.”

Don’t wish to deal with running any kind of electrical wiring? You can easily find options that plug into an outdoor socket but are far more aesthetically ambitious than string lights. Examples include articulating floor lamps and hanging lamps like Lightology’s Garota Plug-In Pendant (see “No-Pro Lamps”).

Even better: lights that you can cart around as freely as a flashlight. “We’re noticing an increased interest in rechargeable, free-standing lights that run on LED bulbs and batteries,” said Greenwich, Conn., landscape architect Janice Parker. Check out the cartoonish mushroom lamps from Hay at the MoMA Design Store as well as braided-rope lanterns by Talenti. Both double as tabletop and path lighting. Ms. Parker hangs portable LED lanterns from tree branches or decorative hangers. “You can easily move them around as needed, and guests can use them if they want to go for a stroll.”

Other landscape architects are eschewing visible fixtures altogether, hiding strips of LEDs under stair treads, for example. In the courtyard of a Berkeley, Calif., home, design firm Delaney + Chin tucked wet-location LED tape under a white stone bench as well as in the ground to shine a wash of light along the bottom of a corten steel wall. The goal, as Ms. Parker put it, is to achieve lighting “that you do not perceive as coming from fixtures but naturally from the moon.” Roderick Wyllie of Surfacedesign, a landscape architecture firm in San Francisco, recommends placing fixtures at least a foot away from the plant or architectural element they’re meant to highlight to avoid harsh, unflattering “hot spots.”

Such toned-down design lets us see and appreciate the nighttime sky, notes Mr. Wyllie. Many municipalities are embracing dark-skies policies intended to curb light pollution and lessen the impact on birds, the bugs they eat and other fauna, said Matthew Bromley, a landscape designer in Bedford, N.Y. “We can be impactful without being garish or feeling like we’re in Las Vegas.”

You may not need as many path lights as you think, for example. Mr. Richardson said one of the habitual mistakes homeowners make when they tackle lighting themselves is spacing path lights too closely. “It almost gives you a runway effect,” he said, adding that you can ensure navigability without committing overkill. “I try not to space [them] any closer than maybe 12 feet apart.”

Another interior technology that has moved outdoors: dimming. “There are times when you may want outdoor lights brighter or dimmer for whatever reason,” said Mr. Fulk. Perhaps you wish to bring the lights up slowly as the sun retires. He reports a growing demand for this flexibility. Similarly, multiple designers said their clients love that many LEDs can be tweaked—even transformed into a rainbow of hues—from their smartphones using programs from Lutron Homeworks and Savant.

As with LEDs inside your home, colour temperature, or Kelvin ratings, matter. A bulb on the high end of the Kelvin range, near 6500, will emit a cooler, bluer light. Lower kelvins translate to warmer, softer whites. For outdoor use, Dan Spiegel, who’s also a founding partner and principal at Spiegel Aihara Workshop, advises selecting lightbulbs with lower colour temperatures, around 2700 Kelvins.

Whether you hire professionals or do it yourself, Mr. Richardson recommends starting slowly. You can add extra light sources later. “Once you take the fixture out of the packaging and stick it in the ground it gets harder to return.” For her part, every time Ms. Walker pulls into her driveway at night, she appreciates the effort she’s put into her lighting, she said, from the gazebo to the glow-guided path. “It just makes me feel like I live in a little jewel box.”

NO-PRO LAMPS

Six rechargeable or plug-in lights you can layer into a three-tiered scheme yourself

Low

From left: Hay PC Portable Lamp, approx. $122, store.moma.org; Talenti Tribal Lamp, approx. $1544, Cantoni, 972-934-9191

Medium

From left: Inda Copenhagen Table Lamp, approx. $1100, Burke Decor 888-338-8111; Pedrali Giravolta Floor Lamp, approx. $510, shopdecor.com

High

From left: Simple String Lights, approx. $577, westelm.com; Garota Plug-In Pendant, approx. $1300, lightology.com

 

Reprinted by permission of The Wall Street Journal, Copyright 2021 Dow Jones & Company. Inc. All Rights Reserved Worldwide. Original date of publication: April 23, 2021.



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Rugged coastal drives and fireside drams define a slow, indulgent journey through Scotland’s far north.

A haven for hedge-fund titans and Hollywood grandees, Greenwich is one of the world’s most expensive residential enclaves, where eye-watering prices meet unapologetic grandeur.

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A haven for hedge-fund titans and Hollywood grandees, Greenwich is one of the world’s most expensive residential enclaves, where eye-watering prices meet unapologetic grandeur.

By Jim Motavalli
Tue, Apr 7, 2026 4 min

Greenwich, Connecticut, is in New England (just barely), but that doesn’t mean it’s a quaint, sleepy small town with covered bridges and white churches on the green. 

It’s leafy, certainly, but it’s also a luxury-minded power centre close to New York City, with many celebrity residents (director Ron Howard, singer Diana Ross, actor Meryl Streep and, at one time, Australia’s own Mel Gibson).  

The main shopping street, Greenwich Avenue, is home to brand stores such as Hermès, Kate Spade, Saks Fifth Avenue, and Tiffany & Co. 

And Greenwich, particularly in the “back country” north of the Merritt Parkway, is host to some of the most exclusive real estate in the world.  

The average price for a single-family home in the second quarter of 2025 was USD $3.25 million (AUD $4.9 million). But that’s merely an entry point, buying a smaller home in one of the town’s less desirable neighbourhoods. 

What does USD $43 million (AUD $66 million) buy in Greenwich?  

Last autumn’s most expensive listing offered a 1,068-square-metre waterfront home with eight bedrooms and 11 bathrooms, plus “Gatsby-like lawns”, a gym, games room, party room, wine cellar, fruit orchard, pool and spa. The front and side porches have heated floors. 

Prefer something more traditional and secluded? For USD $33 million (AUD $50 million), buyers could close on an 11,760-square-metre Georgian manor on 3.2 hectares, featuring eight fireplaces, an elevator, and a dumbwaiter.  

The first floor features a three-storey cascading chandelier. For bibliophiles, there’s a two-storey mahogany library. If bocce is more your pace, a similar USD $25 million compound on 7.5 hectares, built for a liquor magnate in 2009, may appeal. Fourteen bathrooms should suffice. 

The Greenwich market is strong, but not without challenges.  

“The big problem is that there’s no inventory,” said Evangela Brock, an agent with Douglas Elliman. “It’s extremely low at all price points.”  

In November, just 15 properties under USD $1 million (AUD $1.52 million) were listed without contracts, compared with 23 above USD $10 million (AUD $15.2 million). Of those, six had contracts pending. Greenwich has more than 17,000 single-family homes. 

Kanebridge Quarterly toured two mid-priced houses in Greenwich. “You don’t lose money in Greenwich real estate,” said Beth MacGillivray, a realtor with the Higgins Group. “This is the hot spot.”  

MacGillivray opened the door to a 733.9-square-metre Georgian colonial in the Sherwood Farms Association development her family built in 2005. The house was expected to sell for about USD $5 million (AUD $7,743,535). 

The six-bedroom, four-level house is move-in ready, with staged furniture showing its potential and many of the amenities that buyers in this range expect.  

Visitors enter through a two-storey foyer with a marble floor. A circular staircase leads to an airy living room with double-height ceilings.  

There’s a main bedroom with his-and-hers bathrooms, a cherry-panelled library with cigar-smoke venting, five fireplaces, and a state-of-the-art kitchen with a breakfast nook by Greenwich-based designer Christopher Peacock.  

Most rooms have huge walk-in wardrobes. Even the laundry room has granite countertops. Custom millwork, cabinetry and fixtures are evident throughout. 

The drawbacks? A smaller yard and no pool. Still, refugees from the city would marvel at the abundant interior space. 

Not far away, an entirely different house was on the market for USD $2.66 million.  

The imposing 696.7-square-metre, nine-bedroom, seven-bath Georgian/Federal home on Shady Lane in the Glenville neighbourhood was built in 1900. Its good bones and inherent grandeur were apparent, as was a clear need for updating. 

“It’s a good project for someone,” said realtor Kaori Higgins. “It needs the right buyer, someone who is looking to return it to its stately original condition.” 

Given the hot market, some buyers may be tempted to tear it down and build anew.  

But the house is filled with charming period details, including hand-built stone fireplaces, reading nooks, pocket doors, leaded windows and beautiful original millwork.  

The second floor offers a vast veranda with views of Long Island Sound and a built-in swimming pool. 

The drawbacks? Bathrooms that were awkwardly redesigned in the 1970s, unsightly flooring on the upper levels, and crumbling exterior elements.  

Higgins noted that a nearby sister property, fully renovated, sold for USD $11 million (AUD $17 million). Any buyer of Shady Lane’s faded elegance would need both imagination and deep pockets. 

For contrast, Kanebridge Quarterly left Greenwich for nearby Fairfield’s upscale Greenfield Hill neighbourhood to visit Lion’s Gate, a 595 square metre Tudor Revival home built as a modest dwelling in the 1920s but extensively expanded and remodelled in 2000.  

With three acres of land, a guest cottage, an artist’s studio and a pool house, the asking price is USD $3.3 million (AUD $5 million). Like the Sherwood home, Lion’s Gate is flawlessly move-in ready, with designer touches throughout. 

The entire second floor was added during the renovation and features parquet flooring, a massive main suite, arched doorways and 2.74-metre ceilings.  

Many rooms include walk-in wardrobes, extensive carved millwork and built-ins. The wood-panelled library (on the site of the former stable) is warm and inviting.  

The expansive kitchen includes a window seat with a hand-painted ceiling, a wine cooler and a butler’s pantry. 

Realtor Lorelei Atwood said Fairfield faces the same inventory shortage as Greenwich.  

“Demand is growing as more New York-based executives are being told they have to report to the office,” she said. “Fairfield has always been a commuter town.” 

Why is this home USD $3.3 million (AUD $5 million), and the Sherwood property around USD $5 million (AUD $7,743,535)?  

Location. Greenfield Hill is lovely, but Greenwich real estate occupies a rarefied class of its own. 

Note: Thanks to realtor Sherri Steeneck for chaperoning. 

This story appeared in the Autumn issue of Kanebridge Quarterly, which you can buy here.