Parents are gravitating toward neutral hues that match their minimalist tastes; ‘I don’t think many kids’ favourite colour is beige’
4 min
Krissy Kyne, a 27-year-old makeup artist in San Antonio, is giving birth to a baby boy this week. The room waiting for him at home is neither blue nor pink, but beige.
It has a light-coloured wood crib, a woven jute rug, a latte-hued changing pad and a cream ottoman, with oatmeal throw pillows and camel muslin blankets strewn about. Ms. Kyne said her mother-in-law told her her taste for neutrals looked “sterile,” but she has committed to the aesthetic, stocking drawers with beige onesies, beige sweatsuits and beige socks.
Ms. Kyne joins a wave of parents eschewing bright and stereotypically gendered colours for kid wares, and instead choosing earthy, neutral tones aligned with minimalism. It’s a look TikTok satirist Hayley DeRoche has termed “sad beige,” but some see it as a happy development: The ecru, blond and brown products fit right in with their stylishly muted décor in the rest of the house.
“Our whole house isn’t changing because we have kids,” said Jen Atkin, a celebrity hairstylist and entrepreneur in Los Angeles known for working with the Kardashians—although she conceded that the aesthetic can invite stains. Because she has two kids and three dogs, she bought easy-to-clean beige outdoor rugs and couches for her home.
Kylie Jenner showed off the beige furnishings in her son Wolf’s nursery in a video from March. Caitlin Covington, a content creator in North Carolina known online as “Christian Girl Autumn,” often dresses her daughter in brown and ecru ensembles for portraits.
“I’ve been influenced by influencers,” said Amina Kadyrova, a mother of three in New Jersey. “I’m a victim of the marketing system. But I genuinely like it.” Neutral colours are easier to mix and match on kids, she added.
Earlier this year, Baby Gap created a designated beige section inside some stores after researching market trends, according to the brand’s head designer, Carolyn Koziak. A new line from Walmart, Easy Peasy, includes a lot of beige, too. According to Etsy, searches for beige kids clothes jumped 67% in the past 12 months compared with the previous period.
“It seems to be marketing this fantasy that if I buy neutrals, my children will also be neutral, calm and quiet,” said Ms. DeRoche, the TikTok user, who lives in Petersburg, Va.
Most children’s companies still sell lots of toys and clothes in bright and inviting primary colours. “It’s important to expose kids to learning colours to help them with their visual perception,” said Ann-Louise Lockhart, a pediatric psychologist in San Antonio. “Having variety is important for brain development.”
Amanda Gummer, a neuropsychologist and children’s play expert in Britain, said there isn’t evidence that colourless toys stunt developmental milestones. Still, Dr. Gummer said, “the motivation of having an Instagrammable house and not letting kids explore and make a mess worries me. I don’t think many kids’ favourite colour is beige.”
Ms. Atkin said her children can get their colour fix elsewhere. “My son will go to indoor gymnasiums, play centres, museums, and he gets covered in slime and goo, and colour and glitter,” she said. “We do that outside of our house, and then we get to come home to a nice, calm, clean environment.”
Other parents noted the pacifying nature of neutrals. “Brown and beige make me feel calmer,” said Maddie Berna, a photographer and mother of two in central California. “I personally don’t like super bright colours, and they do wear that sometimes, but it’s annoying to see all the time.”
Ms. Berna’s mother, Ashley Durham, isn’t a fan.
“All of Ellie’s bows are the same kind of beige and I would like her to wear something that sticks out more,” she said, referring to her 15-month-old granddaughter. “I do try to buy them brighter color clothing. I just never see them in it.”
Naomi Coe, a California-based interior designer specialising in kid’s rooms, said she experienced an influx of beige requests during the pandemic, when many parents were spending more time at home.
“Neutral is going to give you calm, serene, homey, cozy,” she said. “I’ve noticed a shift where people are after that feeling more.”
Laura Roso Vidrequin, founder of secondhand kids-clothing marketplace Kids O’Clock in London, said beige products sell three times as fast as other colours on the site—perhaps because they are gender-neutral, she said, hence easy to pass down.
Elizabeth Robles Jimenez, a mother of four in Downey, Calif., said she bought plenty of pink and princessy products for her first three daughters before settling on beige décor and wooden toys for her 2-year-old, Ava.
“I think whites and creams give her an opportunity to discover her own self and not have the mentality that because she’s a girl, she needs all pink,” Ms. Robles Jimenez said.
Mushie, a startup that makes pacifiers, bibs and stacking cups in beige hues, has seen double-digit growth this year, according to its chief executive, Levi Feigenson. Moms cited the labels Oat, Soor Ploom, the Simple Folk, Tiny Cottons, Jamie Kay, Nora Lee, Rylee + Cru as others with an abundance of beige products.
“When I started my company [over 10] years ago, you couldn’t get a baby or child garment in a neutral colour unless you went to Europe,” said Marissa Buick, the Brooklyn founder of kidswear brand Soor Ploom. Her colour choices reflect ones “you won’t find in a shop, but are in nature,” she said.
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Some designer handbags like the Hermès Kelly have implied power. But can a purse alone really get you a restaurant table—or even a job?
6 min
LIKE MARVEL VILLAINS, most fashion writers have origin stories. Mine began with a navy nylon Prada purse, salvaged from a Boston thrift store when I was a teen in the 1990s. Scuffed with black streaks and sagging, it was terribly beat-up. But I saw it as a golden ticket to a future, chicer self. No longer a screechy suburban theatre kid, I would revamp myself as sophisticated, arch, even aloof. The bag, I reasoned, would lead the way.
That fall, I slung it against my shoulder like a shotgun and marched into school, where a girl far more interesting than I was called out, “Hey, cool bag.” After feigning apathy —“I don’t know, you could use a Sharpie on a lunch bag and it would look the same”—we became friends. She introduced me to a former classmate who worked at a magazine. That woman helped me get an internship, which led to a job.
Twenty years later, I still wonder how big of a role that Prada purse played in my future—and whether designer bags can function as a silent partner in our success. Branded luxury bags took off in 1957, when Grace Kelly posed with an Hermès bag in Life magazine. (Hermès renamed that bag “the Kelly” in 1973.) The term “status bag” was popularised in 1990 by Gaile Robinson in the Los Angeles Times, describing any purse that projects social or economic power. Not surprisingly, these accessories are costly. Kelly bags cost over $10,000; ditto Chanel’s 11.22 handbag. Some bags by Louis Vuitton and Dior command similar price points. The cost isn’t repelling customers—both brands reported revenue surges in 2023. But isn’t there something dusty about the idea that a branded bag carries meaning along with your phone and wallet? How much status can a status bag deliver in 2024?
Quite a lot, said Daniel Langer, a business professor at Pepperdine University and the CEO of Équité, a Swiss luxury consulting firm. Beginning in 2007, Langer showed a series of photo portraits to hundreds of people across Europe, Asia and the U.S., then asked them 60 questions. Those pictured carrying a luxury handbag were seen as “more attractive, more intelligent, more interesting,” he said. The conclusion was “so ridiculous” to Langer that he repeated the studies several times over the next decade and a half. The results were always the same: “Purchasing a ‘status bag’ will prepare you to be more successful in your social actions. That is the data.”
Intrigued, I gathered various Very Important Purses—I borrowed some from friends, and others from brands—to see if they could elevate my station with the same unspoken oomph as a “Pride and Prejudice” suitor.
First, I took Alaïa’s Le Teckel bag—a narrow purse resembling an elegant flute case and carried by actress Margot Robbie—to New York’s Carlyle Hotel on a Saturday night. The line for the famous Bemelmans Bar stretched to the fire exit. “Can I get a table right away?” I asked the host, holding out my bag like a passport before an international flight. “It’s very busy,” he said in hushed tones. “But come sit. A table should open soon.” I sank into one of the Carlyle’s lush red sofas and sipped a martini while waiting—a much nicer way to kill 30 minutes than slumped against a lobby wall.
Wondering if this was a one-time thing, I called up Desta, the mononymous “culture director” (read: gatekeeper) who has worked for Manhattan celebrity hide-outs like Chapel Bar and Boom, the Standard Hotel bar that hosts the Met Gala’s official after party. “Sure, we pay attention to bags,” he said. “Not too long ago at Veronika,” the Park Avenue restaurant where Desta also steered the social ship, “we had one table left. A woman had a Saint Laurent bag from the Hedi Era,” he said, referencing Hedi Slimane , the brand’s revered designer from 2012 to 2016. “I said, ‘Give her the table. She appreciates style. She’ll appreciate this place.’”
Some say a status bag can open professional doors, too. Cleo Capital founder Sarah Kunst, who lives between San Francisco and London, notes that in private-equity circles, these accessories can act as a quick head-nod in introductory situations. Kunst says that especially as a Black woman, she found a designer bag to be “almost like armour” at the beginning of her career. “You put it on, and if you’re walking into a work event or a happy hour where you need to network, it can help you fit in immediately.” She cites Chanel flap bags made from the brand’s signature quilted leather and stamped with a double-C logo as an industry favourite. “People love to talk about them. They’ll say, ‘Ohhh, I love your bag,’ in a low voice.” They talk to you, said Kunst, “like you’re a tiger.”
For high-stakes jobs that rely on commissions—sports agents or sales reps, for instance—a fancy handbag can help establish credibility. “It says, ‘I’m succeeding at my job,’” said Mary Bonnet, vice president of the Oppenheim Group, the California real-estate firm at the centre of Netflix reality show “Selling Sunset.” As a new real-estate agent in her 20s, Bonnet brought a fake designer bag to a meeting. To her horror, a potential buyer had the real thing. “I work in an industry where trust is important, and there I was being inauthentic. That was a real lesson.” Now Bonnet rotates several (real) Saint Laurent and Chanel bags, but notes that a super-expensive purse could alienate some clients. “I don’t think I’d walk into [some client homes] with a giant Hermès bag.”
Hermès bags are supposedly the apex predator of purses. But I didn’t feel invincible when I strapped a Kelly bag around my chest like a pebbled-leather ammo belt. The dun-brown purse cost $11,800, a sum that prompted my boyfriend to ask if I needed a bodyguard. Shaking with “is this insured?” anxiety, I walked into a showing for an $8.5 million apartment steps from Central Park. I made it through the door but was soon stopped by a gruff real-estate agent asking if I had an appointment. No, but I had an Hermès bag? Alas, it wasn’t enough. The gleaming black door closed in my face.
“What went wrong?” I asked Dafna Goor, a London Business School professor who studies the psychology behind luxury purchases. “You felt nervous,” she replied. “That always makes others uncomfortable, especially in a high stakes situation,” like an open house with jittery agents. Goor said recognisable bags from Louis Vuitton and Christian Dior are also often faked, which can lead to suspicion if not paired with “other signals of wealth.”
“You can’t just treat a bag as a backstage pass,” said Jess Graves, who runs the shopping Substack the Love List. Graves says bags are more of a secret code shared between potential connections. “I’ve been in line for coffee and a woman will see my Margaux [from the Row] and go, ‘Oh, I know that bag.’ Then we’ll chat.” Graves moved from Atlanta to Manhattan in 2023, and says she’s made some new, local friends thanks to these “bag chats.”
I had my own bag chat that night, when I brought Khaite’s Olivia—a slim crescent of shiny maroon leather—to a house party thrown by a rock star I’d never met. In fact I knew hardly any guests, but as I stood in the kitchen, a woman in vintage Chanel pointed to my bag and asked, “How did you get that colour? It’s sold out!” Before I could tell her my name, she told me the make and model of my purse. Then she laughed about her ex-boss, a tech billionaire, and encouraged me to buy some cryptocurrency. The token I picked surged nearly 30% in about a week. Now I was onto something—a status bag that might bring not just status, but an actual market return.
Thanks to their prominence on social media, certain bags have gained favour among Gen Zers. “TikTok and Instagram make some luxury items even more visible and more desirable to young people,” said Goor. I experienced this firsthand on a stormy Saturday morning, when a girl in a college hoodie pointed at my Miu Miu Wander bag as I puddle-hopped through downtown New York. The piglet-pink purse is a TikTok favourite seen on young stars like Sydney Sweeney and Hailey Bieber. “Your bag is everything!” yelled the girl from the crosswalk. “Thanks, can I have your umbrella?” I shouted back. She laughed and left. My Wander had made a splash—but it couldn’t keep me dry. I ran to the subway, soaked. The bag looked even better wet.
Everyone loves an ingénue—fashion insiders included. Perhaps that’s why at Paris Fashion Week in September, newer handbags from Bottega Veneta and Loewe jostled for space and street-style flashbulbs.
“These bags, especially ones by independent labels like Khaite, are quieter signals of cultural access,” explained Goor. “Everyone knows what an Hermès Kelly bag is. So now there need to be new signals” beyond traditional status bags to convey power.
Sasha Bikoff Cooper, a Manhattan interior designer, says there’s a less cynical explanation for why these bags have captured celebrity fans—and more important, paying customers. “They’re fresh and also beautiful,” she said. “Hermès is always classic. It’s like a first love. But you want newness, too.”
The Wall Street Journal is not compensated by retailers listed in its articles as outlets for products. Listed retailers frequently are not the sole retail outlets.
