YouTubers Are Lifting The Veil on America’s Most Expensive Homes

Enes Yilmazer has toured some of the most expensive homes in the world. He’s explored penthouses on New York’s Billionaires’ Row, palatial beach houses in Malibu, Calif., and waterfront mansions on Lake Tahoe. He has oohed and aahed over Central Park views, marble floors, infinity pools, retractable roofs and candy walls and had a front row seat to an explosion of eight- and nine-figure real-estate listings across the country.

Mr. Yilmazer, 31, isn’t a wealthy buyer, nor is he currently a real-estate agent. Rather, he is one of a handful of real-estate YouTubers, amateur video hosts and producers, who are bringing regular people, via their laptops or cell phones, inside the mansions of the megarich. With more than 820,000 subscribers on his YouTube channel, Mr. Yilmazer’s videos rack up millions of views and inspire tens of thousands of comments.

“Imagine forgetting something on your way out and having to go back and walk 5-6 business days to get it,” wrote one incredulous commenter on Mr. Yilmazer’s recent video about a sprawling $38 million estate in the pricey Calabasas area of Los Angeles. “How many people would it take to clean this place!!” said another about a $50 million Bel Air chateau.

In some ways, real-estate YouTubers like Mr. Yilmazer are providing today’s answer to the MTV Cribs phenomenon of the early 2000s, offering the masses a rare glimpse at how the 0.1% really live. But rather than getting a peak through the eyes of a movie star or a suave celebrity real-estate agent, like on shows such as Bravo’s “Million Dollar Listing,” they’re seeing these houses through the eyes of a regular guy just like them.

Two years ago, Mr. Yilmazer and his longtime friend Michael Ayers started the channel with just a handheld camera, filming any house a high-end real-estate agent would let them into, he said.

Now, as they grow more sophisticated with their production, YouTubers like Mr. Yilmazer are shaking up how high-end real estate is sold in cities like Los Angeles, New York and Miami. They are making YouTube, the Google-owned video website, an increasingly important marketing channel for even the most privacy-obsessed homesellers and their real-estate agents. That’s been particularly evident over the past year as the Covid pandemic reduced the number of buyers willing to tour homes in person.

“Since Covid, people aren’t out and about the same way,” said Samantha Sax, chief marketing officer of Pontiac Land US, one of the developers of 53 West 53, a luxury skyscraper on New York’s Billionaires’ Row that Mr. Yilmazer recently featured on his channel. “They want to see things from their phone and computer more than they ever have before.”

The success of these real-estate channels has led to a rush of new copycat channels, some of which merge real-estate content with videos about designer cars, watches and get-rich schemes. It’s also spurred a boom in the number of agents trying to create their own video content, which can be hit or miss.

While some agents, like Ryan Serhant of “Million Dollar Listing New York,” have quickly become YouTube stars thanks in part to their television fame and big personalities, not all big-ticket agents were created with a lights-camera-action personality. Many come off as stiff and overly salesy to a YouTube audience, Mr. Yilmazer said. His own style is laid back and informational as he methodically walks viewers through all the features of each house.

Mr. Serhant said he tries to help members of his own team at his firm Serhant to be more natural on screen, with improv classes and on-camera training.

“There’s no specific personality that works well in front of the camera but you have to have one,” he said.

As the real-estate YouTube space becomes increasingly popular, these YouTubers are lining their pockets.

Mr. Yilmazer said he is bringing in between $50,000 and $100,000 a month in revenue from his YouTube channel in ad revenue alone, putting him on track to bring in more than $1 million this year if the growth of his channel continues at its current pace. Those are just the revenues provided by YouTube for allowing their automated ads to stream on the channel without any effort from Mr. Yilmazer’s own small team. On top of that, he and his team can make money from dedicated sponsorships—Mr. Yilmazer will personally feature a particular company’s brand in his videos for a fee that runs in the tens of thousands of dollars— and the money real-estate agents offer him to feature their listings on his channel. He said he often won’t charge if a property is particularly spectacular and will drive viewership to his channel. If a property is less impressive, he charges a fee, which typically runs into the five figures.

Mr. Yilmazer said he pays three videographers to shoot with him and production can run him between $5,000 and $15,000 per video. There are other expenses, too. He has invested around $25,000 in a drone set up, for instance.

Erik Conover, 31, a competing real-estate YouTuber with nearly 1.6 million subscribers on his channel, said he typically charges a rate in the tens of thousands of dollars to feature a company’s brand in his videos in what he calls a “45- to 50-second integration.” When he chooses to charge an agent to feature their property, it can cost them in the low five figures. He said he typically brings in between $10,000 and $30,000 a month in revenue from ads provided by YouTube.

He said that his audience, 25- to 35-years-olds in big cities around the world, is desirable to advertisers, but he believes his videos also drum up potential buyers for the luxurious homes he has featured on the channel. Sometimes, they refer videos to their wealthy parents, he said.

Still, not everyone is sold on letting YouTubers have free rein in their properties, since some agents believe that prospective buyers would prefer that their future homes not be splashed all over the internet.

“A lot of sellers at a very high level want to maintain some semblance of privacy,” said Alexander Ali, founder of the Society Group, a real-estate public relations firm that advises agents across the country. “Our buyers would not necessarily want everyone seeing their bedrooms and the overall layout of the home from a security perspective. You have to hold stuff back.”

Sometimes sellers don’t appreciate their homes being used as bait for advertisers, especially when those advertisers don’t reflect the kind of high-culture vibes they’re trying to give off. One marketing professional said he had an agent complain about allowing a YouTuber film in his trophy New York apartment, only to see images of the opulent apartment juxtaposed against crude advertisements for a company specializing in “manscaping” in the resulting video.

Skeptics also question whether YouTube videos actually sell these homes, since most of the viewers are watching voyeuristically and can’t personally afford the properties. Mr. Covonver and Mr. Yilmazer admit it’s likely that only a very small percentage of their viewership has the necessary net worth to purchase. But Mr. Conover said those viewers do exist, citing first-hand experience. Once, while running on a treadmill at his local Equinox gym, he had a stranger approach him about a video he had filmed in a penthouse at Walker Tower, an Art Deco building in New York’s Chelsea neighbourhood.

“He said, ‘You know I purchased an apartment in that building based on your tour,’ ” Mr. Conover recalled, noting that the apartment the man bought was priced around $25 million. “That was the moment where I was like, ‘Okay, this is very real.’ ”

Both Mr. Yilmazer and Mr. Conover are entirely self taught in videography, editing and filmmaking and their videos started out rocky.

Mr. Yilmazer, who is originally from Turkey, was a professional windsurfer with a scholarship at Texas A&M University–Corpus Christi before investing in house flipping with the proceeds of his surfing sponsorships. When he moved to Los Angeles in 2018, spurred by a dream, fueled by reality shows on Bravo, of “palm trees, nice cars and beautiful hillside homes,” he got his real-estate license. His career as a broker never really took off. Instead, as he was touring other agents’ trophy listings at open houses, he thought about how much others would love to see inside these extravagant properties. The idea for a YouTube channel was born.

“I was going to brokers’ open houses and seeing all these incredible homes,” he said. “I’m like, ‘This is crazy. I’m in a city where literally the rest of the world aspires to come to and I’m touring $200 million worth of real estate on a regular Tuesday. There’s something here. Why is no one is making any kind of a YouTube channel out of this?’ ”

He quickly called his friend Mr. Ayers and asked him to move to L.A., where the two of them began attending the open houses together, with a GoPro in hand, and asking agents to let them film. Initially, Mr. Yilmazer thought the channel might drive would-be buyers to use his services as an agent.

It took months for the channel to build momentum and generate revenue, but soon it grabbed his focus from actually selling real estate, he said. Mr. Ayers slept on his couch during the early days of the project. Over time, the videos evolved to be more professional. Mr. Yilmazer got more informed about each house and dedicated whole videos to just one property rather than showcasing a hodgepodge of houses around town in each episode. He also made videos longer form, since he said the YouTube algorithm favors longer-form content and increases his chances of being featured on viewers’ home screens.

Mr. Conover, who still edits all his videos, said he remains wowed by most of the houses he sees. A graduate of Northeastern University in Boston, he discovered YouTube after doing a bunch of odd jobs in New York, such as manager at Abercrombie & Fitch, fitness instructor, and lifeguard at the Gansevoort Hotel pool.

“I don’t come from wealth. I grew up in a 900-square-foot two-bedroom house in a town called Absecon, N.J., so for me every time I step into a property like that, it’s surreal,” he said. “I was essentially broke when I started my YouTube channel and I was filming it on an iPhone editing with iMovie.”

His situation has changed dramatically. He recently allowed his viewers in on his personal search for a home, scoping out apartments in Soho and Tribeca priced at as much as $10,000 a month.

Mr. Conover said he doesn’t think it would be possible for newcomers to replicate his success now that the business has matured, unless they had a unique idea. “You need high-quality cameras and proper editing,” he said.

YouTubers also have to tread carefully when it comes to biting the hand that feeds them luxury homes to film. Mr. Conover was having so much success with his channel over the past year that he was approached by a New York real-estate firm Nest Seekers International, which wanted him to get his real-estate license and become an agent. At the time, Mr. Serhant, the “Million Dollar Listing New York” star, had moved on from Nest Seekers to start his own company and the brokerage sought an agent who could replicate his YouTube following.

“We wanted to remain active in that space,” said Eddie Shapiro, the chief executive of Nest Seekers, who said he wants his firm to be on top of the online trends. “It’s all about being progressive. It’s like, are people buying $100 million homes on TikTok? I don’t know that yet but I don’t want to miss that boat if it comes.”

Now that he is an agent on the side, Mr. Conover said a small number of New York agents don’t want him to film their listings—they view him as competition. He said he doesn’t mind so much since he thinks there are plenty of exciting properties for him to feature elsewhere. For those agents he is working with in New York, he assures them that he’s a YouTuber first and an agent second.

Mr. Yilmazer recently gave up his license because he felt it was limiting the access he could get to the biggest listings. He said he believes the ceiling on his YouTube career is higher. “If you have a listing on the best sites like Redfin, Zillow at best maybe you get 30,000 or 40,000 clicks,” he said. “We’re getting two to three million people to click on our videos and I believe we can scale that to 10 times bigger than what it is right now. That is, to me, that’s incredible.”

Samantha Stobo was fresh off a breakup and unable to afford her Manhattan two-bedroom alone. So the 29-year-old decided to move in with her mom in Miami until she could get back on her feet. She told herself it would only take a few months.

Now 33-years old, Stobo has no plans to move out.

“I thought it was going to be temporary,” Stobo said. “But it’s been three years now, and I love it.”

Living at home as a 20-something was once viewed as a failure to launch and even a source of embarrassment in a culture that places a premium on independence. That is no longer the case. Living at home is now often viewed as a sign of financial prudence, and for some, a long-term prospect.

Chronically high living costs are helping reshape the milestones of early adulthood in America. The national median home price hovers above $400,000. Rents are at record highs in cities across the U.S., and many recent college graduates are saddled with tens of thousands of dollars in student debt.

Even though some of these young adults pay their folks rent, it tends to be well below the cost of living on their own.

“Everything is just out of reach,” said 28-year-old Megan Talley, who lives at home with her mom in the Atlanta suburbs. If a young person wants to live alone, “you could do it, but you would be dead broke at the end of the month.”

Last year, 49% of adults under age 30 said they lived with a parent, up 12 percentage points from 2019, according to the Federal Reserve’s latest Survey of Household Economics and Decisionmaking. Nearly a third of those adults were 25 or older.

Some economists put that figure lower and note that the Fed study doesn’t distinguish between children living in their parents’ homes versus parents living in their children’s homes.

Still, young people say that living at home in 2026 doesn’t carry the stigma it once did because of how unaffordable life has become. About 55% of young adults who moved back home said it was out of financial necessity, according to a spring survey by financial services firm Thrivent.

So many parents and adult children are living together now that it is beginning to transform aspects of American society—from when members of the younger generation start a family to the way builders think about designing homes.

Far from hiding it, some now broadcast their lives as “stay-at-home daughters” or “stay-at-home sons” on social media. Stobo says posting about her mother-daughter living situation on TikTok has earned her a friendly comment section filled with others in the same position—and makes her some money.

“No one ever judges me,” she said. “The conversation tends to be more like, ‘That’s awesome, and I bet you’re saving money.’”

Casey Wright, 28-years-old, moved back home to Oxford, Mich., three years ago after being laid off from two consecutive jobs. She redecorated her childhood bedroom to match her adult aesthetic, tearing down her Twilight posters and choir awards and hanging a floral tapestry and framed landscapes.

She and her parents have come to an agreement on living together as adults. She no longer has a curfew, for instance. But before she goes out, Wright’s parents require her to tell them where she’s going and what time she expects to be back.

The Wrights have dinner together every night and go golfing or walking together a few times a month. Casey still hangs out in her parents’ room occasionally to talk about movies with her dad or to gossip with her mom.

She just doesn’t spend time with her parents quite as often as she did when she was a child and is more often in her room playing videogames or reading. “It’s not as much as when I was younger, because I feel like there’s almost that separation that’s needed as an adult,” she said. “You’re not just living in your childhood home as a child.”

Multigenerational living has long been more of a norm among Hispanic, Asian and Black households, along with immigrant families.

During the pandemic, a broader swath of 20-somethings returned home. It was supposed to be short-term; then came record inflation and double-digit rent increases.

By July 2020, 52% of young Americans age 18 to 29 lived with at least one parent, according to a Pew Research Center analysis of census data. It was the first time a majority of young adults in the country had lived with parents since the Great Depression. That share has likely dropped since then, but for some people the arrangements have stuck.

Living with parents became a “dominant living arrangement in America for people in this age group,” said Laurence Steinberg, a Temple University psychology professor who recently wrote the book “You and Your Adult Child.”

States such as California and New York have loosened regulations around building accessory dwelling units in recent years. Once nicknamed “granny flats,” ADUs are now used to house budget-squeezed adult children.

Villa Homes, a California home builder, is used to this kind of customer. The firm is seeing more families add detached ADUs for their grown children or other relatives, to live in for a few years and save money for a starter home.

Carmen Johnson, 33, has loved living with her parents in the Detroit metro area since the start of Covid. She doesn’t pay rent, splits grocery bills with her family and invests those savings in her music career and toward a future home. It beats barely making ends meet in her old Los Angeles apartment.

“Covid flipped the script,” Johnson said. “It’s a blessing in disguise.”

She isn’t ashamed of living at home, and doesn’t judge other people for it either. But she wouldn’t necessarily reveal it to a first date unless asked directly.

Bringing home a date also requires a bit of mental calculus.

“It’s like, ‘OK, is my dad going to be in the living room watching TV?’” Johnson said.

Sometimes, that kind of strategizing goes both ways. Jessica Suzio, a 52-year old widow in Michigan, has tried to get back into the dating scene in recent years. But with her two sons living at home, both in their mid-20s, bringing back a new boyfriend is uncomfortable for all involved, she said.

Suzio is happy to have her sons at home, and they help with household expenses by paying her some rent.

“When they were younger, I was daydreaming about the days that I would be an empty-nester,” she said. “But I’ve grown to really appreciate them sticking around.”

Kevin Grolig, a 59-year-old real-estate agent in the D.C. metro area, started noticing that his clients were delaying downsizing their homes because their adult children were still living there. So he came up with a “four-step plan” to get grown children out of the house. The most important: agree on a move-out timeline before the child even steps back in the door.

Casey Wright in Michigan doesn’t pay rent, but her father, Craig, said she has been a big help around the house. She does much of the grocery shopping, helps with the cooking and has learned to use the riding lawn mower, manicuring the yard when Craig is busy.

About five times a day, she says, her mom knocks on her door, often to ask for help with technology.

“If I had the ability to, I would move out tomorrow,” Wright said. Nothing against her parents, “I would just love to have the freedom to do what they were doing at my age.”

Wright’s father wishes the same for his daughter. He and his wife expected to have an empty nest by now.

But he realizes that the housing market is different today than when he was in his 30s in the 1980s and bought a three-bedroom home for $70,000, less than a fifth of today’s median home price. He estimates his salary back then was about $35,000.

Some of Craig’s friends also have adult children living at home. “It’s kind of normal,” he said.

YouTubers Are Lifting The Veil on America’s Most Expensive Homes

Real-estate vloggers are giving viewers an intimate look at massive mansions.

Nearly half of American adults under 30, pinched by the high cost of housing, are living with a parent. It can be an adjustment for both.