Bremont has become the first British watch brand bound for the lunar surface, launching its new Supernova collection alongside a groundbreaking mission with aerospace company Astrolab.
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Luxury British watchmaker Bremont is about to make history.
Later this year, the brand will become the first British watch company to place a timepiece permanently on the Moon through a collaboration with American aerospace company Astrolab.
The mission centres on Astrolab’s FLIP rover (FLEX Lunar Innovation Platform), which will carry a Bremont Supernova Chronograph aboard Astrobotic’s Griffin Mission One.
The rover is scheduled to land in the Nobile region near the lunar south pole no earlier than summer 2026, launching from NASA’s Kennedy Space Centre in Florida.
Unlike watches that have previously accompanied astronauts into space, this one won’t be coming home. The Supernova Chronograph will remain on the Moon as a permanent artefact, integrated into the FLIP rover’s chassis via a custom-engineered tile plate.
The timing carries extra weight. The White House has tasked NASA with establishing a Coordinated Lunar Time by the end of 2026, a consistent, atomic-clock-based standard for navigation and communication on the Moon. Bremont’s watch will land in the same year that lunar time itself comes into being.
“We are incredibly excited by the prospect of becoming the first British watch brand in history to go to the Moon and stay there indefinitely,” said Davide Cerrato, CEO of Bremont.
“Bremont and Astrolab share deep synergies in their values, particularly around innovation, exploration, and a relentless pursuit of new frontiers.”
Astrolab founder and CEO Jaret Matthews said the mission was designed to prove technology can survive the Moon’s harshest conditions.
“This mission is all about demonstrating critical technologies in the harsh environments found at the lunar south pole. We look forward to putting the Supernova through the ultimate engineering test.”
Before launch, both the watch and the rover must pass a gruelling testing regime known as Spacecraft Protoflight Qualification, covering structural, thermal and electrical performance under conditions more severe than the mission itself will demand.
The process follows what Astrolab calls a “Test Like You Fly” philosophy.
The mission also marks the debut of Supernova, a new collection that sits above Bremont’s existing Supermarine, Terra Nova and Altitude lines, and introduces Space as a fourth universe alongside the brand’s established Sea, Land and Air categories.
The 41mm Supernova Chronograph is built from 904L stainless steel, with a multi-faceted decahedral black ceramic bezel and a three-dimensional dial inspired by the geometry of spacecraft solar arrays.
It runs on Bremont’s chronometer-rated BC77 movement, with a 62-hour power reserve and an exhibition case back.
A full-scale FLIP rover will be on display at the Bremont booth at Watches & Wonders Geneva, which opens on April 14, the brand’s third consecutive year exhibiting at the show.
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Meta is betting on a human-first AI future, but growing legal battles and declining public trust are putting Mark Zuckerberg’s vision to the test.
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“Call us optimists. Call us dreamers. Call us whatever the hell you want, but we’re betting on people, and we like those odds. The future is for everyone.”
That ad copy is from the voice-over of a July Meta Platforms META -3.38%.
spot that’s been part of a public-relations blitz to position Meta as the humanist AI company. The message was undercut by the ad’s inclusion of David Bowie’s “Five Years,” a brooding 1972 song about an impending apocalypse. But this week CEO Mark Zuckerberg left no ambiguity, publishing a 6,500-word manifesto—about 10 times the length of this newsletter—with a title that echoed the ad: “The Future is for Everyone.”
That seems to be Meta’s new tagline. In light of sinking public opinion and the company’s thousands of lawsuits from states, school districts, parents, and users, Meta’s public relations have been defensive. This push represents a return to offense, with a chance to distinguish Meta’s approach to AI from other labs like OpenAI, Anthropic, or SpaceX SPCX +9.65%.
“It is surprising that the discourse from many developing AI is so filled with doom,” Zuckerberg wrote. “I do not understand why anyone who believes that AI will eliminate most jobs and much of humanity’s relevance would rush to build that future.”
Zuckerberg frames what sort of future we build with AI as the central issue of our time. “We believe that delivering superintelligence to everyone is the way to answer this question,” he says. “This has the potential to begin a new era of personal empowerment where individuals can use this powerful new capability to reach their full potential, pursue their interests, and improve their lives and the world more than ever before.”
The flood of words belies the situation on the ground in mid-2026. Americans, at least, have a love-hate affair with social media. A November Pew Research Center poll reported that 71% of U.S. adults used Facebook, and 51% used Instagram. Worldwide, 3.6 billion people use at least one Meta app every day.
But in a Reuters/Ipsos poll conducted in July and August, 61% of respondents said they wanted more government oversight of social media, and two-thirds supported laws to keep children under 16 years old off the platforms. When it comes to Meta in particular, in the 2026 Axios Harris 100, an annual poll about corporate reputation, Meta placed 96th out of 100. It’s only above two other social media companies, Chinese ultracheap retailer Temu, and Spirit Airlines, a defunct air carrier. Regarding ethics, Meta came in last, and it was only ahead of TikTok in trust.
The steady drip of headlines in the teen social media trials isn’t helping. Last week, Meta lost a judgment in New Mexico state court that raised their liability in that relatively small jurisdiction to nearly $1 billion dollars. On Wednesday, jury selection began for a federal case with four states suing Meta over addictive product design, and false marketing that said its platforms were safe for teenagers. In July, Meta claimed that the states are asking for a total of $1.4 trillion in damages, in addition to design changes in the apps. This is part of a multidistrict litigation, where thousands of federal trials with social media defendants are coordinated in Judge Yvonne Gonzalez Rogers’ district courthouse in Oakland, Calif.
There is a separate such group of thousands of cases in California state court, mostly with individual plaintiffs. The steady drip of bad headlines from the courts will continue unless Meta decides to settle en masse.
Meanwhile, in the second quarter, Meta booked “$2.40 billion of charges related to legal proceedings,” according to its quarterly filing. That may be just the beginning.
Zuckerberg spent 6,500 words getting his utopian message out, but I can sum it up in two: Trust us. The evidence is that Meta has a long way to go to win back that trust.
