INSIDE VICTORIAN COUPLE’S DESIGNER RETIREMENT RETREAT
From faulty family villa to modern beach house.
From faulty family villa to modern beach house.
Australian retirees William and Catherine Parsons have settled down in a frontline beach house on the country’s south coast, about a 90-minute drive from Melbourne.
They took the long way home.

Leon Schoots for The Wall Street Journal
Back in 1995, Mr. Parsons, now a 71-year-old retired airline pilot, and his wife, 57, a retired nurse, spent $258,000 on a 1/7th-acre lot on a windy bluff on the, leading to the Port of Melbourne.
Their original plan was to raise their two daughters in a new 371sqm villa, completed in 1998, but faulty construction, they said, culminated in the home’s demolition in 2016. That fiasco paved the way for a $2.1 million do-over with new architects and new builders.
For several years the family endured makeshift living arrangements, including homeschooling their children, now adults, during extended overland trips on four continents, or “road schooling,” as Ms Parsons likes to call it.
Finally, in the autumn of 2019, the couple moved into a new 353sqm, four-bedroom home.

Leon Schoots for The Wall Street Journal
The three-story house has a concrete-and-eucalyptus facade sealed against potentially heavy winds and corrosive salt spray. The second floor has a sheltered terrace and pool area accessible from the split-level open living and dining area that highlights ocean views.
The couple make the most of the site, says Mr Parsons, with the help of poured-concrete walls and double-glaze windows. “We’re extremely exposed,” he says, “but the new house is rock solid. With the doors and windows closed, we can just hear the ocean. When they’re open, it’s like a train going past.”
Known for ideal surfing and hang-gliding conditions, the couple’s stretch of peninsula is a dunescape. They went for a wild look with $71,000 in landscaping, opting for low-maintenance indigenous species and a naturally planted roof garden.
The couple worked with Auhaus Architecture, a Melbourne studio specialising in upscale single-family homes. Kate Fitzpatrick, an Auhaus principal, estimates it costs an extra $160,000 to $200,000 to build on their site rather than on a sheltered inland lot. Benjamin Stibbard, her fellow Auhaus principal, says that the peninsula’s predominant southern winds, blowing most days off the ocean, can cause “rain that is horizontal,” adding that the house is “as waterproof as a bathtub.”
The peninsula can also have hot sunny spells in January and February, with temperatures well over 100 degrees. The couple spent $412,000 on concrete, and their double-thick walls help keep the house cool in summer and warm in winter.
The main section of the house includes a top-floor master suite and lower-level granny flat, while an adjoining single-storey wing, separated from the rest of the house by the $79,000 pool area and reached by a first-floor corridor, has bedrooms for their visiting daughters, as well as a music room and a yoga deck.

Leon Schoots for The Wall Street Journal
To navigate the main portion of the house, the couple spent $52,000 on an elevator—an upgrade, jokes Ms Parsons, of the previous home’s dumbwaiter. But their major splurge, they say, was a spiral staircase.
“I have always had a thing for staircases,” says Ms Parsons of the $87,000 set of stairs, which has a looming sculptural presence when viewed from the pool and terrace.
The interior of the home tends to rely on dark elements, including eucalyptus panelling, but the staircase itself is painted gleaming white—at her architects’ suggestion, says Ms Parsons.
She might have opted for the original battered-silver of the unpainted steel, she says, but the white, she decided, “looks elegant.” On the whole, it “takes away the brutality” of the bare concrete walls that show traces of the wood forms used to shape them on site.
The kitchen has a hushed quality due to blue-green Japanese tiles, which give the back wall a dark iridescence. Left over from the master bathroom, one of four in the home, the single-glaze tiles were a last-minute substitute for a continuation of the veined white marble used for a countertop.
“The sun can be glaring in summer,” says Ms Parsons, “but there is something so lovely and soothing about looking at the kitchen—it’s like looking into a rock pool.”

Leon Schoots for The Wall Street Journal
The kitchen cost nearly $111,000, with $46,000 spent on a suite of American appliances from Wolf and Sub-Zero.
The staircase led to a second splurge: the placement of an antique piano that Mr Parsons inherited from his grandparents. Too big for the winding stairs, it was moved into the children’s wing with a crane while the house was still under construction.
“It was our first piece of furniture,” says Mr Parsons of the 19th-century upright, made in Dresden, Germany. Mr Parsons plays mainly classical music, while his daughters when visiting from college, may join in on the flute, guitar or ukulele. The plentiful concrete boosts the acoustics.
Settled into their new home at last, the couple have an easier time visiting nearby fellow retirees: Mr Parsons’ parents. “My father is 102 and my mother is 100,” he says, “and they’re still going strong.”

Leon Schoots for The Wall Street Journal
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Kit Braden, an executive at French beauty empire L’Occitane, has spent every winter for the past 13 years at the stone vacation home.
A historic Barbados estate with a 300-year-old villa and 11 acres overlooking the Caribbean Sea is now for sale with a guide price of $22.5 million.
The seller is Kit Braden, chairman of the U.K. branch of French beauty empire L’Occitane Group, whose family has spent every winter for the last 13 years at the island property, known as Fustic Estate.
“It’s very much a family house,” Braden said. “We love having a lot of people there. It’s a collection point to keep everyone together.”
The main villa dates to 1712, though it’s been reimagined and expanded substantially over the years.
It spans 13,000 square feet and features seven en suite bedrooms across three wings, as well as expansive verandas, stone courtyards and rows of louvered doors in gay Caribbean pastels.
In the 1970s, when the home was owned by Charles Graves—brother of British poet Robert Graves—it was reimagined by stage designer Oliver Messel, one of the foremost theater designers of the last century. Messel expanded the home, added a lagoon pool with a natural waterfall and other theatrical features, according to Braden.
“The whole place is a little bit magical,” he said.
The home sits about 350 feet above the water, and surrounded by lush gardens that slope towards the water.
“We look down through our garden—which is about 12 acres of tropical gardens and palm trees and wonderful old mahogany trees—onto the Caribbean,” Braden said.
He and his wife first saw the property on New Year’s Eve 2013, during a quick trip from where they were staying in Grenada.
The couple spent an hour walking the perimeter, some of it still untouched jungle, in the pouring rain.
“By the time we got back, I had fallen in love with it,” Braden said.
His wife, however, wasn’t so sure. But in Braden’s telling, a second visit in sunnier weather with two of their children brought her around.
“She had to be talked into that it was a jolly good idea; now she absolutely loves it,” he said.
When they bought the property, the edge that runs along the waterfront was a jungle, so they cleared the ridge and transformed it into gardens.
They also bought an additional sea-level parcel with two beach cottages, giving the property direct access to the water and the town below via a five-minute walk.
The property also has a 15-person staff, a reflecting pond, an outdoor pavilion suitable for yoga and a commercial grade kitchen that can serve more than 100 guests, according to a brochure from Knight Frank, which posted the listing in March. They did not provide further comment.
For Braden, the property is special because of its natural beauty, its proximity to the town of Saint Lucy and its history—which dates way way back to when the island of Barbados was first formed via tectonic activity.
“It was basically tectonic plates that collided about a million years ago so the seabed is the top of the hill,” Braden said. “We’re on coral rock.”
As a result, Fustic Estate includes an extensive network of caves that were likely used by the Arawaks, a Venezuelan fishing tribe that followed the fish to these islands about a thousand years ago.
“If the fish were good they’d camp here,” Braden said. “There’s evidence that they stayed there in those caves, they lived there in good winters.”
Now it’s someone else’s turn to live on the land shared by Arawaks, the plantation owners of 1712, Charles Graves and the Braden brood.